Events for October 2021

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Events for October 2021

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Documentary feature. A group of people roam in a bare landscape around a set of swings as their only settlement, as if mapping, exploring, reorganizing the open territory they are in. As they move, changes in soundscapes make them virtually cross geographies. In the sky, a moon-like satellite roves above their heads, following them like an omen. The moon, once symbolizing cyclical times, myths, and new beginnings, is now the satellite waiting to be conquered and colonized. Reality and fantasy intertwine in an existential quest. Is a new beginning really possible? As below, so above. Preceded by: MOONSCAPE (2020, DCP, 17m, Palestine, Arabic with English subtitles) dir Mona Benyamin. Experimental short/Music video. Moonscape is a short film which takes the form of a music video for a ballad/middle of the road song, performed as a duet between a male and female singer in Arabic. The song traces the story of a man called Dennis M. Hope, who claimed ownership of the Moon in 1980 and thus founded the Lunar Embassy––a company that sells land on a variety of planets and Moons––and the film makes a connection between his story and that of the director's––a young Palestinian woman living under the Israeli occupation, longing to end the misery of her people in any way possible. A moonscape is an area or vista of the lunar landscape (generally of the Earth's moon), or a visual representation of this, such as in a painting. The term "moonscape" is also sometimes used metaphorically for an area devastated or flattened by war, often by shelling. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 7:00 $10 [post_title] => AS ABOVE, SO BELOW/ كما في السماء، كذلك على الأرض + MOONSCAPE [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => moonscape-as-above-so-below-%d9%83%d9%85%d8%a7-%d9%81%d9%8a-%d8%a7%d9%84%d8%b3%d9%85%d8%a7%d8%a1%d8%8c-%d9%83%d8%b0%d9%84%d9%83-%d8%b9%d9%84%d9%89-%d8%a7%d9%84%d8%a3%d8%b1%d8%b6 [to_ping] => [pinged] => [post_modified] => 2021-09-23 11:59:58 [post_modified_gmt] => 2021-09-23 16:59:58 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82300 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 82342 [post_author] => 3 [post_date] => 2021-09-14 14:14:30 [post_date_gmt] => 2021-09-14 19:14:30 [post_content] => (1981, DCP, 88m, Morocco, Arabic with English subtitles) dir Ahmed El Maanouni. Documentary feature. The groundbreaking Moroccan band Nass El Ghiwane is the dynamic subject of this captivating, one-of-a-kind documentary by Ahmed El Maanouni, who filmed the four musicians during a series of electrifying live performances in Tunisia, Morocco, and France; on the streets of Casablanca; and in intimate conversations. Storytellers through song and traditional instruments, and with connections to political theater, the band became a local phenomenon and an international sensation, thanks to its rebellious lyrics and sublime, fully acoustic sound, which draws on Berber rhythms, Malhun sung poetry, and Gnawa dances. Both a concert movie and a free-form audiovisual experiment, bolstered by images of the band’s rapt audience, Trances is pure cinematic poetry. Trances was restored in 2007 by the Cineteca di Bologna/L’Immagine Ritrovata laboratory, in association with The Film Foundation’s World Cinema Project, Ahmed El Maanouni, and Izza Génini. Restoration funded by Armani, Cartier, Qatar Airways, and Qatar Museum Authority. This screening is sponsored by Sound Unseen. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 9:00 $10 [post_title] => TRANCES [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => trances [to_ping] => [pinged] => [post_modified] => 2021-09-28 11:02:58 [post_modified_gmt] => 2021-09-28 16:02:58 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82342 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 2 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 82300 [post_author] => 3 [post_date] => 2021-09-14 14:06:21 [post_date_gmt] => 2021-09-14 19:06:21 [post_content] => AS ABOVE, SO BELOW (2020, DCP, 70m, Lebanon, Arabic with English subtitles) dir Sarah Francis. Documentary feature. A group of people roam in a bare landscape around a set of swings as their only settlement, as if mapping, exploring, reorganizing the open territory they are in. As they move, changes in soundscapes make them virtually cross geographies. In the sky, a moon-like satellite roves above their heads, following them like an omen. The moon, once symbolizing cyclical times, myths, and new beginnings, is now the satellite waiting to be conquered and colonized. Reality and fantasy intertwine in an existential quest. Is a new beginning really possible? As below, so above. Preceded by: MOONSCAPE (2020, DCP, 17m, Palestine, Arabic with English subtitles) dir Mona Benyamin. Experimental short/Music video. Moonscape is a short film which takes the form of a music video for a ballad/middle of the road song, performed as a duet between a male and female singer in Arabic. The song traces the story of a man called Dennis M. Hope, who claimed ownership of the Moon in 1980 and thus founded the Lunar Embassy––a company that sells land on a variety of planets and Moons––and the film makes a connection between his story and that of the director's––a young Palestinian woman living under the Israeli occupation, longing to end the misery of her people in any way possible. A moonscape is an area or vista of the lunar landscape (generally of the Earth's moon), or a visual representation of this, such as in a painting. The term "moonscape" is also sometimes used metaphorically for an area devastated or flattened by war, often by shelling. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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FIELD(wp_stwz_posts.ID,82300,82342) LIMIT 0, 5 [posts] => Array ( [0] => WP_Post Object ( [ID] => 82300 [post_author] => 3 [post_date] => 2021-09-14 14:06:21 [post_date_gmt] => 2021-09-14 19:06:21 [post_content] => AS ABOVE, SO BELOW (2020, DCP, 70m, Lebanon, Arabic with English subtitles) dir Sarah Francis. Documentary feature. A group of people roam in a bare landscape around a set of swings as their only settlement, as if mapping, exploring, reorganizing the open territory they are in. As they move, changes in soundscapes make them virtually cross geographies. In the sky, a moon-like satellite roves above their heads, following them like an omen. The moon, once symbolizing cyclical times, myths, and new beginnings, is now the satellite waiting to be conquered and colonized. Reality and fantasy intertwine in an existential quest. Is a new beginning really possible? As below, so above. Preceded by: MOONSCAPE (2020, DCP, 17m, Palestine, Arabic with English subtitles) dir Mona Benyamin. Experimental short/Music video. Moonscape is a short film which takes the form of a music video for a ballad/middle of the road song, performed as a duet between a male and female singer in Arabic. The song traces the story of a man called Dennis M. Hope, who claimed ownership of the Moon in 1980 and thus founded the Lunar Embassy––a company that sells land on a variety of planets and Moons––and the film makes a connection between his story and that of the director's––a young Palestinian woman living under the Israeli occupation, longing to end the misery of her people in any way possible. *A moonscape is an area or vista of the lunar landscape (generally of the Earth's moon), or a visual representation of this, such as in a painting. The term "moonscape" is also sometimes used metaphorically for an area devastated or flattened by war, often by shelling. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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The groundbreaking Moroccan band Nass El Ghiwane is the dynamic subject of this captivating, one-of-a-kind documentary by Ahmed El Maanouni, who filmed the four musicians during a series of electrifying live performances in Tunisia, Morocco, and France; on the streets of Casablanca; and in intimate conversations. Storytellers through song and traditional instruments, and with connections to political theater, the band became a local phenomenon and an international sensation, thanks to its rebellious lyrics and sublime, fully acoustic sound, which draws on Berber rhythms, Malhun sung poetry, and Gnawa dances. Both a concert movie and a free-form audiovisual experiment, bolstered by images of the band’s rapt audience, Trances is pure cinematic poetry. Trances was restored in 2007 by the Cineteca di Bologna/L’Immagine Ritrovata laboratory, in association with The Film Foundation’s World Cinema Project, Ahmed El Maanouni, and Izza Génini. Restoration funded by Armani, Cartier, Qatar Airways, and Qatar Museum Authority. This screening is sponsored by Sound Unseen. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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The groundbreaking Moroccan band Nass El Ghiwane is the dynamic subject of this captivating, one-of-a-kind documentary by Ahmed El Maanouni, who filmed the four musicians during a series of electrifying live performances in Tunisia, Morocco, and France; on the streets of Casablanca; and in intimate conversations. Storytellers through song and traditional instruments, and with connections to political theater, the band became a local phenomenon and an international sensation, thanks to its rebellious lyrics and sublime, fully acoustic sound, which draws on Berber rhythms, Malhun sung poetry, and Gnawa dances. Both a concert movie and a free-form audiovisual experiment, bolstered by images of the band’s rapt audience, Trances is pure cinematic poetry. Trances was restored in 2007 by the Cineteca di Bologna/L’Immagine Ritrovata laboratory, in association with The Film Foundation’s World Cinema Project, Ahmed El Maanouni, and Izza Génini. Restoration funded by Armani, Cartier, Qatar Airways, and Qatar Museum Authority. This screening is sponsored by Sound Unseen. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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[post_date] => 2021-09-14 14:19:09 [post_date_gmt] => 2021-09-14 19:19:09 [post_content] => (2021, DCP, 90m, Syrian Arab Republic/Denmark/France/ Palestine, Arabic with English subtitles) dir Rami Farah. Documentary. Nearly 10 years after the beginning of the Syrian revolution, three Syrian activists––Yadan, Odai and Rani––reunite on a theatre stage in Paris. Through life-size projections onto a big screen, Syrian director Rami Farah confronts the three men with footage, some of it their own, depicting events that changed their destinies forever. Watching the brutal footage together, they reflect on their personal journeys, revive their collective memory, and wonder what is left of their hopes and dreams. Their reunion serves as a unique window into the complexity of the situation in Syria, where a peaceful uprising was replaced by a ferocious war. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 1:00 $10 [post_title] => OUR MEMORY BELONGS TO US / لنا ذاكرتنا [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => our-memory-belongs-to-us-%d9%84%d9%86%d8%a7-%d8%b0%d8%a7%d9%83%d8%b1%d8%aa%d9%86%d8%a7 [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:03:48 [post_modified_gmt] => 2021-09-23 17:03:48 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82346 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 82349 [post_author] => 3 [post_date] => 2021-09-14 14:24:20 [post_date_gmt] => 2021-09-14 19:24:20 [post_content] => MOSS AGATE (2020, DCP, 68m, Lebanon, Arabic with French and English subtitles) dir Sélim Mourad w/Tamara Saade, François Yazbek, Elie Boudjok. Hybrid documentary. Beirut, summer 2019. The filmmaker experiences a descent into the abyss. His health is at stake and his film community is falling apart. His actress friend Tamara is the last one to leave. After his death, Tamara meets François, a man with whom she falls in love, but memories of the past keep coming back to her. She reconnects with a different filmmaker, and they start playing with precious stones. They do not know their dance is sacred. Amethyst, ruby, and agates pass like magic from hand to hand. Meanwhile, the filmmaker's mother gives birth to him again. He doesn’t remember much of his previous self, yet he starts a spiritual journey that will lead him back to Tamara. Both of them move to an unlikely place outside the city that they love. Preceded by: BELLYDANCE VOGUE (2020, DCP, 5m, Lebanon, Arabic with English subtitles) dir Hadi Moussally. Experimental short/Music video. Hadi’s birthday landed on the 3rd of April, 2020, during lockdown, and for the first time he celebrated it all by himself. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 3:00 $10 [post_title] => MOSS AGATE + BELLYDANCE VOGUE [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => bellydance-vogue-moss-agate [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:03:55 [post_modified_gmt] => 2021-09-23 17:03:55 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82349 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 82353 [post_author] => 3 [post_date] => 2021-09-14 14:28:39 [post_date_gmt] => 2021-09-14 19:28:39 [post_content] => (1974, DCP, 76m, Morocco, Arabic and French with English subtitles) dir Mostafa Derkaoui. Hybrid documentary feature. First screened in Paris in 1975, the film was immediately banned, censored, and pulled from exhibition and export. In 2016, Filmoteca de Catalunya found a negative print in their archives and restored the film for circulation to audiences across the world. First screened in Paris in 1975, the film was immediately banned, censored, and pulled from exhibition and export. In 2016, Filmoteca de Catalunya found a negative print in their archives and restored the film for circulation to audiences across the world. Around the port, streets, and popular bars of the city, a group of filmmakers conduct discussions with people about their expectations of, and aspirations for, the emerging Moroccan national cinema. When a disgruntled worker kills his superior accidentally, their inquest shifts focus, and they begin to probe the context and motives of the killing. At the heart of De quelques événements sans signification (About Some Meaningless Events) is an interrogation of the role cinema––and art in general––play in society, documentary, and representations of “the real.” Funded by the sale of paintings by several contemporary painters, the film depicts the urgency of the project: a demand for national cinema. And this film, an independent and collective effort of politically motivated militant filmmakers, actors, musicians, poets, and journalists at a time of heightened oppression, expresses the spirit and the possibility of the emerging Moroccan film industry. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 5:00 $10 [post_title] => ABOUT SOME MEANINGLESS EVENTS / DE QUELQUES ÉVÈNEMENTS SANS SIGNIFICATION [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => about-some-meaningless-events-de-quelques-evenements-sans-signification [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:04:01 [post_modified_gmt] => 2021-09-23 17:04:01 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82353 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [3] => WP_Post Object ( [ID] => 82371 [post_author] => 3 [post_date] => 2021-09-14 14:50:07 [post_date_gmt] => 2021-09-14 19:50:07 [post_content] => (2020, DCP, 115m, Morocco/France/Belgium, Arabic with English subtitles) dir Ismaël El Iraki w/Khansa Batma, Ahmed Hammoud, Saïd Bey. Narrative Feature. In hellish Casablanca a car-crash sets ablaze a burning, passionate love story between has-been rocker Larsen and the streetwise Rajae. The only hope for their blooming romance is to skip this ferocious town. Is there a way out of this crazy Moroccan underworld with its menagerie of sadistic cops, venomous snakes, metal concerts and shotgun-wielding modern-day Calamity Janes? For these punk Romeo and Juliet, maybe the answer lies in a song—the one they’ve been writing and dreaming together: Zanka Contact. This screening is sponsored by Extreme Noise Records and Sound Unseen. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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FIELD(wp_stwz_posts.ID,82346,82349,82353,82371) LIMIT 0, 5 [posts] => Array ( [0] => WP_Post Object ( [ID] => 82346 [post_author] => 3 [post_date] => 2021-09-14 14:19:09 [post_date_gmt] => 2021-09-14 19:19:09 [post_content] => (2021, DCP, 90m, Syrian Arab Republic/Denmark/France/ Palestine, Arabic with English subtitles) dir Rami Farah. Documentary. Nearly 10 years after the beginning of the Syrian revolution, three Syrian activists––Yadan, Odai and Rani––reunite on a theatre stage in Paris. Through life-size projections onto a big screen, Syrian director Rami Farah confronts the three men with footage, some of it their own, depicting events that changed their destinies forever. Watching the brutal footage together, they reflect on their personal journeys, revive their collective memory, and wonder what is left of their hopes and dreams. Their reunion serves as a unique window into the complexity of the situation in Syria, where a peaceful uprising was replaced by a ferocious war. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 1:00 $10 [post_title] => OUR MEMORY BELONGS TO US / لنا ذاكرتنا [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => our-memory-belongs-to-us-%d9%84%d9%86%d8%a7-%d8%b0%d8%a7%d9%83%d8%b1%d8%aa%d9%86%d8%a7 [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:03:48 [post_modified_gmt] => 2021-09-23 17:03:48 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82346 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 82349 [post_author] => 3 [post_date] => 2021-09-14 14:24:20 [post_date_gmt] => 2021-09-14 19:24:20 [post_content] => MOSS AGATE (2020, DCP, 68m, Lebanon, Arabic with French and English subtitles) dir Sélim Mourad w/Tamara Saade, François Yazbek, Elie Boudjok. Hybrid documentary. Beirut, summer 2019. The filmmaker experiences a descent into the abyss. His health is at stake and his film community is falling apart. His actress friend Tamara is the last one to leave. After his death, Tamara meets François, a man with whom she falls in love, but memories of the past keep coming back to her. She reconnects with a different filmmaker, and they start playing with precious stones. They do not know their dance is sacred. Amethyst, ruby, and agates pass like magic from hand to hand. Meanwhile, the filmmaker's mother gives birth to him again. He doesn’t remember much of his previous self, yet he starts a spiritual journey that will lead him back to Tamara. Both of them move to an unlikely place outside the city that they love. Preceded by: BELLYDANCE VOGUE (2020, DCP, 5m, Lebanon, Arabic with English subtitles) dir Hadi Moussally. Experimental short/Music video. Hadi’s birthday landed on the 3rd of April, 2020, during lockdown, and for the first time he celebrated it all by himself. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 3:00 $10 [post_title] => MOSS AGATE + BELLYDANCE VOGUE [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => bellydance-vogue-moss-agate [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:03:55 [post_modified_gmt] => 2021-09-23 17:03:55 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82349 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 82353 [post_author] => 3 [post_date] => 2021-09-14 14:28:39 [post_date_gmt] => 2021-09-14 19:28:39 [post_content] => (1974, DCP, 76m, Morocco, Arabic and French with English subtitles) dir Mostafa Derkaoui. Hybrid documentary feature. First screened in Paris in 1975, the film was immediately banned, censored, and pulled from exhibition and export. In 2016, Filmoteca de Catalunya found a negative print in their archives and restored the film for circulation to audiences across the world. First screened in Paris in 1975, the film was immediately banned, censored, and pulled from exhibition and export. In 2016, Filmoteca de Catalunya found a negative print in their archives and restored the film for circulation to audiences across the world. Around the port, streets, and popular bars of the city, a group of filmmakers conduct discussions with people about their expectations of, and aspirations for, the emerging Moroccan national cinema. When a disgruntled worker kills his superior accidentally, their inquest shifts focus, and they begin to probe the context and motives of the killing. At the heart of De quelques événements sans signification (About Some Meaningless Events) is an interrogation of the role cinema––and art in general––play in society, documentary, and representations of “the real.” Funded by the sale of paintings by several contemporary painters, the film depicts the urgency of the project: a demand for national cinema. And this film, an independent and collective effort of politically motivated militant filmmakers, actors, musicians, poets, and journalists at a time of heightened oppression, expresses the spirit and the possibility of the emerging Moroccan film industry. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 5:00 $10 [post_title] => ABOUT SOME MEANINGLESS EVENTS / DE QUELQUES ÉVÈNEMENTS SANS SIGNIFICATION [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => about-some-meaningless-events-de-quelques-evenements-sans-signification [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:04:01 [post_modified_gmt] => 2021-09-23 17:04:01 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82353 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [3] => WP_Post Object ( [ID] => 82371 [post_author] => 3 [post_date] => 2021-09-14 14:50:07 [post_date_gmt] => 2021-09-14 19:50:07 [post_content] => (2020, DCP, 115m, Morocco/France/Belgium, Arabic with English subtitles) dir Ismaël El Iraki w/Khansa Batma, Ahmed Hammoud, Saïd Bey. Narrative Feature. In hellish Casablanca a car-crash sets ablaze a burning, passionate love story between has-been rocker Larsen and the streetwise Rajae. The only hope for their blooming romance is to skip this ferocious town. Is there a way out of this crazy Moroccan underworld with its menagerie of sadistic cops, venomous snakes, metal concerts and shotgun-wielding modern-day Calamity Janes? For these punk Romeo and Juliet, maybe the answer lies in a song—the one they’ve been writing and dreaming together: Zanka Contact. This screening is sponsored by Extreme Noise Records and Sound Unseen. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 9:00 $10 [post_title] => ZANKA CONTACT [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => zanka-contact [to_ping] => [pinged] => [post_modified] => 2021-09-28 11:01:35 [post_modified_gmt] => 2021-09-28 16:01:35 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82371 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 4 [current_post] => 1 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 82349 [post_author] => 3 [post_date] => 2021-09-14 14:24:20 [post_date_gmt] => 2021-09-14 19:24:20 [post_content] => MOSS AGATE (2020, DCP, 68m, Lebanon, Arabic with French and English subtitles) dir Sélim Mourad w/Tamara Saade, François Yazbek, Elie Boudjok. Hybrid documentary. Beirut, summer 2019. The filmmaker experiences a descent into the abyss. His health is at stake and his film community is falling apart. His actress friend Tamara is the last one to leave. After his death, Tamara meets François, a man with whom she falls in love, but memories of the past keep coming back to her. She reconnects with a different filmmaker, and they start playing with precious stones. They do not know their dance is sacred. Amethyst, ruby, and agates pass like magic from hand to hand. Meanwhile, the filmmaker's mother gives birth to him again. He doesn’t remember much of his previous self, yet he starts a spiritual journey that will lead him back to Tamara. Both of them move to an unlikely place outside the city that they love. Preceded by: BELLYDANCE VOGUE (2020, DCP, 5m, Lebanon, Arabic with English subtitles) dir Hadi Moussally. Experimental short/Music video. Hadi’s birthday landed on the 3rd of April, 2020, during lockdown, and for the first time he celebrated it all by himself. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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=> 82346 [post_author] => 3 [post_date] => 2021-09-14 14:19:09 [post_date_gmt] => 2021-09-14 19:19:09 [post_content] => (2021, DCP, 90m, Syrian Arab Republic/Denmark/France/ Palestine, Arabic with English subtitles) dir Rami Farah. Documentary. Nearly 10 years after the beginning of the Syrian revolution, three Syrian activists––Yadan, Odai and Rani––reunite on a theatre stage in Paris. Through life-size projections onto a big screen, Syrian director Rami Farah confronts the three men with footage, some of it their own, depicting events that changed their destinies forever. Watching the brutal footage together, they reflect on their personal journeys, revive their collective memory, and wonder what is left of their hopes and dreams. Their reunion serves as a unique window into the complexity of the situation in Syria, where a peaceful uprising was replaced by a ferocious war. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 1:00 $10 [post_title] => OUR MEMORY BELONGS TO US / لنا ذاكرتنا [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => our-memory-belongs-to-us-%d9%84%d9%86%d8%a7-%d8%b0%d8%a7%d9%83%d8%b1%d8%aa%d9%86%d8%a7 [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:03:48 [post_modified_gmt] => 2021-09-23 17:03:48 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82346 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 82349 [post_author] => 3 [post_date] => 2021-09-14 14:24:20 [post_date_gmt] => 2021-09-14 19:24:20 [post_content] => MOSS AGATE (2020, DCP, 68m, Lebanon, Arabic with French and English subtitles) dir Sélim Mourad w/Tamara Saade, François Yazbek, Elie Boudjok. Hybrid documentary. Beirut, summer 2019. The filmmaker experiences a descent into the abyss. His health is at stake and his film community is falling apart. His actress friend Tamara is the last one to leave. After his death, Tamara meets François, a man with whom she falls in love, but memories of the past keep coming back to her. She reconnects with a different filmmaker, and they start playing with precious stones. They do not know their dance is sacred. Amethyst, ruby, and agates pass like magic from hand to hand. Meanwhile, the filmmaker's mother gives birth to him again. He doesn’t remember much of his previous self, yet he starts a spiritual journey that will lead him back to Tamara. Both of them move to an unlikely place outside the city that they love. Preceded by: BELLYDANCE VOGUE (2020, DCP, 5m, Lebanon, Arabic with English subtitles) dir Hadi Moussally. Experimental short/Music video. Hadi’s birthday landed on the 3rd of April, 2020, during lockdown, and for the first time he celebrated it all by himself. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 3:00 $10 [post_title] => MOSS AGATE + BELLYDANCE VOGUE [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => bellydance-vogue-moss-agate [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:03:55 [post_modified_gmt] => 2021-09-23 17:03:55 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82349 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 82353 [post_author] => 3 [post_date] => 2021-09-14 14:28:39 [post_date_gmt] => 2021-09-14 19:28:39 [post_content] => (1974, DCP, 76m, Morocco, Arabic and French with English subtitles) dir Mostafa Derkaoui. Hybrid documentary feature. First screened in Paris in 1975, the film was immediately banned, censored, and pulled from exhibition and export. In 2016, Filmoteca de Catalunya found a negative print in their archives and restored the film for circulation to audiences across the world. First screened in Paris in 1975, the film was immediately banned, censored, and pulled from exhibition and export. In 2016, Filmoteca de Catalunya found a negative print in their archives and restored the film for circulation to audiences across the world. Around the port, streets, and popular bars of the city, a group of filmmakers conduct discussions with people about their expectations of, and aspirations for, the emerging Moroccan national cinema. When a disgruntled worker kills his superior accidentally, their inquest shifts focus, and they begin to probe the context and motives of the killing. At the heart of De quelques événements sans signification (About Some Meaningless Events) is an interrogation of the role cinema––and art in general––play in society, documentary, and representations of “the real.” Funded by the sale of paintings by several contemporary painters, the film depicts the urgency of the project: a demand for national cinema. And this film, an independent and collective effort of politically motivated militant filmmakers, actors, musicians, poets, and journalists at a time of heightened oppression, expresses the spirit and the possibility of the emerging Moroccan film industry. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 5:00 $10 [post_title] => ABOUT SOME MEANINGLESS EVENTS / DE QUELQUES ÉVÈNEMENTS SANS SIGNIFICATION [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => about-some-meaningless-events-de-quelques-evenements-sans-signification [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:04:01 [post_modified_gmt] => 2021-09-23 17:04:01 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82353 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [3] => WP_Post Object ( [ID] => 82371 [post_author] => 3 [post_date] => 2021-09-14 14:50:07 [post_date_gmt] => 2021-09-14 19:50:07 [post_content] => (2020, DCP, 115m, Morocco/France/Belgium, Arabic with English subtitles) dir Ismaël El Iraki w/Khansa Batma, Ahmed Hammoud, Saïd Bey. Narrative Feature. In hellish Casablanca a car-crash sets ablaze a burning, passionate love story between has-been rocker Larsen and the streetwise Rajae. The only hope for their blooming romance is to skip this ferocious town. Is there a way out of this crazy Moroccan underworld with its menagerie of sadistic cops, venomous snakes, metal concerts and shotgun-wielding modern-day Calamity Janes? For these punk Romeo and Juliet, maybe the answer lies in a song—the one they’ve been writing and dreaming together: Zanka Contact. This screening is sponsored by Extreme Noise Records and Sound Unseen. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 9:00 $10 [post_title] => ZANKA CONTACT [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => zanka-contact [to_ping] => [pinged] => [post_modified] => 2021-09-28 11:01:35 [post_modified_gmt] => 2021-09-28 16:01:35 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82371 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 4 [current_post] => 2 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 82353 [post_author] => 3 [post_date] => 2021-09-14 14:28:39 [post_date_gmt] => 2021-09-14 19:28:39 [post_content] => (1974, DCP, 76m, Morocco, Arabic and French with English subtitles) dir Mostafa Derkaoui. Hybrid documentary feature. First screened in Paris in 1975, the film was immediately banned, censored, and pulled from exhibition and export. In 2016, Filmoteca de Catalunya found a negative print in their archives and restored the film for circulation to audiences across the world. First screened in Paris in 1975, the film was immediately banned, censored, and pulled from exhibition and export. In 2016, Filmoteca de Catalunya found a negative print in their archives and restored the film for circulation to audiences across the world. Around the port, streets, and popular bars of the city, a group of filmmakers conduct discussions with people about their expectations of, and aspirations for, the emerging Moroccan national cinema. When a disgruntled worker kills his superior accidentally, their inquest shifts focus, and they begin to probe the context and motives of the killing. At the heart of De quelques événements sans signification (About Some Meaningless Events) is an interrogation of the role cinema––and art in general––play in society, documentary, and representations of “the real.” Funded by the sale of paintings by several contemporary painters, the film depicts the urgency of the project: a demand for national cinema. And this film, an independent and collective effort of politically motivated militant filmmakers, actors, musicians, poets, and journalists at a time of heightened oppression, expresses the spirit and the possibility of the emerging Moroccan film industry. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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wp_stwz_posts.ID ORDER BY FIELD(wp_stwz_posts.ID,82346,82349,82353,82371) LIMIT 0, 5 [posts] => Array ( [0] => WP_Post Object ( [ID] => 82346 [post_author] => 3 [post_date] => 2021-09-14 14:19:09 [post_date_gmt] => 2021-09-14 19:19:09 [post_content] => (2021, DCP, 90m, Syrian Arab Republic/Denmark/France/ Palestine, Arabic with English subtitles) dir Rami Farah. Documentary. Nearly 10 years after the beginning of the Syrian revolution, three Syrian activists––Yadan, Odai and Rani––reunite on a theatre stage in Paris. Through life-size projections onto a big screen, Syrian director Rami Farah confronts the three men with footage, some of it their own, depicting events that changed their destinies forever. Watching the brutal footage together, they reflect on their personal journeys, revive their collective memory, and wonder what is left of their hopes and dreams. Their reunion serves as a unique window into the complexity of the situation in Syria, where a peaceful uprising was replaced by a ferocious war. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 1:00 $10 [post_title] => OUR MEMORY BELONGS TO US / لنا ذاكرتنا [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => our-memory-belongs-to-us-%d9%84%d9%86%d8%a7-%d8%b0%d8%a7%d9%83%d8%b1%d8%aa%d9%86%d8%a7 [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:03:48 [post_modified_gmt] => 2021-09-23 17:03:48 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82346 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 82349 [post_author] => 3 [post_date] => 2021-09-14 14:24:20 [post_date_gmt] => 2021-09-14 19:24:20 [post_content] => MOSS AGATE (2020, DCP, 68m, Lebanon, Arabic with French and English subtitles) dir Sélim Mourad w/Tamara Saade, François Yazbek, Elie Boudjok. Hybrid documentary. Beirut, summer 2019. The filmmaker experiences a descent into the abyss. His health is at stake and his film community is falling apart. His actress friend Tamara is the last one to leave. After his death, Tamara meets François, a man with whom she falls in love, but memories of the past keep coming back to her. She reconnects with a different filmmaker, and they start playing with precious stones. They do not know their dance is sacred. Amethyst, ruby, and agates pass like magic from hand to hand. Meanwhile, the filmmaker's mother gives birth to him again. He doesn’t remember much of his previous self, yet he starts a spiritual journey that will lead him back to Tamara. Both of them move to an unlikely place outside the city that they love. Preceded by: BELLYDANCE VOGUE (2020, DCP, 5m, Lebanon, Arabic with English subtitles) dir Hadi Moussally. Experimental short/Music video. Hadi’s birthday landed on the 3rd of April, 2020, during lockdown, and for the first time he celebrated it all by himself. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 3:00 $10 [post_title] => MOSS AGATE + BELLYDANCE VOGUE [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => bellydance-vogue-moss-agate [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:03:55 [post_modified_gmt] => 2021-09-23 17:03:55 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82349 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 82353 [post_author] => 3 [post_date] => 2021-09-14 14:28:39 [post_date_gmt] => 2021-09-14 19:28:39 [post_content] => (1974, DCP, 76m, Morocco, Arabic and French with English subtitles) dir Mostafa Derkaoui. Hybrid documentary feature. First screened in Paris in 1975, the film was immediately banned, censored, and pulled from exhibition and export. In 2016, Filmoteca de Catalunya found a negative print in their archives and restored the film for circulation to audiences across the world. First screened in Paris in 1975, the film was immediately banned, censored, and pulled from exhibition and export. In 2016, Filmoteca de Catalunya found a negative print in their archives and restored the film for circulation to audiences across the world. Around the port, streets, and popular bars of the city, a group of filmmakers conduct discussions with people about their expectations of, and aspirations for, the emerging Moroccan national cinema. When a disgruntled worker kills his superior accidentally, their inquest shifts focus, and they begin to probe the context and motives of the killing. At the heart of De quelques événements sans signification (About Some Meaningless Events) is an interrogation of the role cinema––and art in general––play in society, documentary, and representations of “the real.” Funded by the sale of paintings by several contemporary painters, the film depicts the urgency of the project: a demand for national cinema. And this film, an independent and collective effort of politically motivated militant filmmakers, actors, musicians, poets, and journalists at a time of heightened oppression, expresses the spirit and the possibility of the emerging Moroccan film industry. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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In hellish Casablanca a car-crash sets ablaze a burning, passionate love story between has-been rocker Larsen and the streetwise Rajae. The only hope for their blooming romance is to skip this ferocious town. Is there a way out of this crazy Moroccan underworld with its menagerie of sadistic cops, venomous snakes, metal concerts and shotgun-wielding modern-day Calamity Janes? For these punk Romeo and Juliet, maybe the answer lies in a song—the one they’ve been writing and dreaming together: Zanka Contact. This screening is sponsored by Extreme Noise Records and Sound Unseen. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 9:00 $10 [post_title] => ZANKA CONTACT [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => zanka-contact [to_ping] => [pinged] => [post_modified] => 2021-09-28 11:01:35 [post_modified_gmt] => 2021-09-28 16:01:35 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82371 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 4 [current_post] => 3 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 82371 [post_author] => 3 [post_date] => 2021-09-14 14:50:07 [post_date_gmt] => 2021-09-14 19:50:07 [post_content] => (2020, DCP, 115m, Morocco/France/Belgium, Arabic with English subtitles) dir Ismaël El Iraki w/Khansa Batma, Ahmed Hammoud, Saïd Bey. Narrative Feature. In hellish Casablanca a car-crash sets ablaze a burning, passionate love story between has-been rocker Larsen and the streetwise Rajae. The only hope for their blooming romance is to skip this ferocious town. Is there a way out of this crazy Moroccan underworld with its menagerie of sadistic cops, venomous snakes, metal concerts and shotgun-wielding modern-day Calamity Janes? For these punk Romeo and Juliet, maybe the answer lies in a song—the one they’ve been writing and dreaming together: Zanka Contact. This screening is sponsored by Extreme Noise Records and Sound Unseen. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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[post_content] => (2020, DCP, 70m, Morocco/France, Arabic with English subtitles) dir Ali Essafi. Documentary feature. This glittering collage of posters, magazine covers, archival footage, jazz music, and cartoons takes you back to the art scene of 1970s Morocco, viewed from the perspective of the artists and actors themselves. Many of them were to end up in prison or disappear without a trace. The story revolves around a Moroccan independent film from 1974, About Some Meaningless Events by Mostafa Derkaoui, where a group of young filmmakers explore the role the new Moroccan cinema should play in society. The film’s impulse as well as the counterculture movement in Morocco arose from Marxist student groups, which saw cinema as an “instrument for sensitization” and for self-discovery. After just one single public screening, however, About Some Meaningless Events was censored by the government. But the negatives of this long lost film were rediscovered in Spain and have recently been restored, and are screening as part of the TCAFF. Dedicated to the victims of censorship and oppression, Before the Dying of the Light employs riotously edited fragments and evokes a time of excitement about the future, before it was extinguished by the repressive years under King Hassan II. Now that flame is briefly rekindled as these images are shown once again. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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One day he gets a call every parent dreads: his son has been injured in an accident. Rushing to cross the Israeli checkpoint, Mustafa is denied on a technicality. But a father’s love won’t give up and he will do anything to reach his son. A 200 meter distance becomes a 200 kilometer odyssey, as Mustafa, left with no choice, attempts to smuggle himself to the other side of the wall. Preceded by: GIVE UP THE GHOST (2019, DCP, 15m, Jordan/Germany/Sweden, Arabic with English subtitles) dir Zain Duraie w/Maria Zreik, Ziad Bakri, Nibal Al Awadi. Narrative short. Salam’s dream of becoming a mother shatters when she finds out that she is unable to have children with her husband. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 2:00 $10 [post_title] => 200 METERS + GIVE UP THE GHOST [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => give-up-the-ghost-200-meters [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:04:36 [post_modified_gmt] => 2021-09-23 17:04:36 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82367 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 78924 [post_author] => 3 [post_date] => 2021-07-19 20:49:52 [post_date_gmt] => 2021-07-20 01:49:52 [post_content] => (1976, 35mm, 92m) dir Jeff Lieberman w/Don Scardino, Patricia Pearcy, R. A. Dow. A freak electrical accident spurs millions of wriggling worms to go on the attack. Rick Baker’s gory makeup effects helped make this low-budget shocker a classic of modern horror. Read more at Perisphere. 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This glittering collage of posters, magazine covers, archival footage, jazz music, and cartoons takes you back to the art scene of 1970s Morocco, viewed from the perspective of the artists and actors themselves. Many of them were to end up in prison or disappear without a trace. The story revolves around a Moroccan independent film from 1974, About Some Meaningless Events by Mostafa Derkaoui, where a group of young filmmakers explore the role the new Moroccan cinema should play in society. The film’s impulse as well as the counterculture movement in Morocco arose from Marxist student groups, which saw cinema as an “instrument for sensitization” and for self-discovery. After just one single public screening, however, About Some Meaningless Events was censored by the government. But the negatives of this long lost film were rediscovered in Spain and have recently been restored, and are screening as part of the TCAFF. Dedicated to the victims of censorship and oppression, Before the Dying of the Light employs riotously edited fragments and evokes a time of excitement about the future, before it was extinguished by the repressive years under King Hassan II. Now that flame is briefly rekindled as these images are shown once again. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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2021-09-14 14:37:30 [post_date_gmt] => 2021-09-14 19:37:30 [post_content] => (2020, DCP, 70m, Morocco/France, Arabic with English subtitles) dir Ali Essafi. Documentary feature. This glittering collage of posters, magazine covers, archival footage, jazz music, and cartoons takes you back to the art scene of 1970s Morocco, viewed from the perspective of the artists and actors themselves. Many of them were to end up in prison or disappear without a trace. The story revolves around a Moroccan independent film from 1974, About Some Meaningless Events by Mostafa Derkaoui, where a group of young filmmakers explore the role the new Moroccan cinema should play in society. The film’s impulse as well as the counterculture movement in Morocco arose from Marxist student groups, which saw cinema as an “instrument for sensitization” and for self-discovery. After just one single public screening, however, About Some Meaningless Events was censored by the government. But the negatives of this long lost film were rediscovered in Spain and have recently been restored, and are screening as part of the TCAFF. Dedicated to the victims of censorship and oppression, Before the Dying of the Light employs riotously edited fragments and evokes a time of excitement about the future, before it was extinguished by the repressive years under King Hassan II. Now that flame is briefly rekindled as these images are shown once again. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 12:00pm noon $10 [post_title] => BEFORE THE DYING OF THE LIGHT [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => before-the-dying-of-the-light [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:04:45 [post_modified_gmt] => 2021-09-23 17:04:45 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82362 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 82367 [post_author] => 3 [post_date] => 2021-09-14 14:43:44 [post_date_gmt] => 2021-09-14 19:43:44 [post_content] => 200 METERS (2020, DCP, 96m, Palestine/Jordan/Qatar, Arabic, English, and Hebrew with English subtitles) dir Ameen Nayfeh w/Ali Suliman, Lana Zreik, Samia Bakri. Narrative feature. Mustafa and his wife Salwa live 200 meters apart in villages separated by the Israeli border wall. One day he gets a call every parent dreads: his son has been injured in an accident. Rushing to cross the Israeli checkpoint, Mustafa is denied on a technicality. But a father’s love won’t give up and he will do anything to reach his son. A 200 meter distance becomes a 200 kilometer odyssey, as Mustafa, left with no choice, attempts to smuggle himself to the other side of the wall. Preceded by: GIVE UP THE GHOST (2019, DCP, 15m, Jordan/Germany/Sweden, Arabic with English subtitles) dir Zain Duraie w/Maria Zreik, Ziad Bakri, Nibal Al Awadi. Narrative short. Salam’s dream of becoming a mother shatters when she finds out that she is unable to have children with her husband. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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One day he gets a call every parent dreads: his son has been injured in an accident. Rushing to cross the Israeli checkpoint, Mustafa is denied on a technicality. But a father’s love won’t give up and he will do anything to reach his son. A 200 meter distance becomes a 200 kilometer odyssey, as Mustafa, left with no choice, attempts to smuggle himself to the other side of the wall. Preceded by: GIVE UP THE GHOST (2019, DCP, 15m, Jordan/Germany/Sweden, Arabic with English subtitles) dir Zain Duraie w/Maria Zreik, Ziad Bakri, Nibal Al Awadi. Narrative short. Salam’s dream of becoming a mother shatters when she finds out that she is unable to have children with her husband. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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2021-09-14 14:37:30 [post_date_gmt] => 2021-09-14 19:37:30 [post_content] => (2020, DCP, 70m, Morocco/France, Arabic with English subtitles) dir Ali Essafi. Documentary feature. This glittering collage of posters, magazine covers, archival footage, jazz music, and cartoons takes you back to the art scene of 1970s Morocco, viewed from the perspective of the artists and actors themselves. Many of them were to end up in prison or disappear without a trace. The story revolves around a Moroccan independent film from 1974, About Some Meaningless Events by Mostafa Derkaoui, where a group of young filmmakers explore the role the new Moroccan cinema should play in society. The film’s impulse as well as the counterculture movement in Morocco arose from Marxist student groups, which saw cinema as an “instrument for sensitization” and for self-discovery. After just one single public screening, however, About Some Meaningless Events was censored by the government. But the negatives of this long lost film were rediscovered in Spain and have recently been restored, and are screening as part of the TCAFF. Dedicated to the victims of censorship and oppression, Before the Dying of the Light employs riotously edited fragments and evokes a time of excitement about the future, before it was extinguished by the repressive years under King Hassan II. Now that flame is briefly rekindled as these images are shown once again. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. 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One day he gets a call every parent dreads: his son has been injured in an accident. Rushing to cross the Israeli checkpoint, Mustafa is denied on a technicality. But a father’s love won’t give up and he will do anything to reach his son. A 200 meter distance becomes a 200 kilometer odyssey, as Mustafa, left with no choice, attempts to smuggle himself to the other side of the wall. Preceded by: GIVE UP THE GHOST (2019, DCP, 15m, Jordan/Germany/Sweden, Arabic with English subtitles) dir Zain Duraie w/Maria Zreik, Ziad Bakri, Nibal Al Awadi. Narrative short. Salam’s dream of becoming a mother shatters when she finds out that she is unable to have children with her husband. Mizna requires proof of vaccination and masks at each screening during the TCAFF. Please reach out to michelle@mizna.org with any questions or concerns. Thank you! 2:00 $10 [post_title] => 200 METERS + GIVE UP THE GHOST [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => give-up-the-ghost-200-meters [to_ping] => [pinged] => [post_modified] => 2021-09-23 12:04:36 [post_modified_gmt] => 2021-09-23 17:04:36 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82367 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 78924 [post_author] => 3 [post_date] => 2021-07-19 20:49:52 [post_date_gmt] => 2021-07-20 01:49:52 [post_content] => (1976, 35mm, 92m) dir Jeff Lieberman w/Don Scardino, Patricia Pearcy, R. A. Dow. A freak electrical accident spurs millions of wriggling worms to go on the attack. Rick Baker’s gory makeup effects helped make this low-budget shocker a classic of modern horror. Read more at Perisphere. 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Read more at Perisphere. 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92m) dir Jeff Lieberman w/Don Scardino, Patricia Pearcy, R. 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A freak electrical accident spurs millions of wriggling worms to go on the attack. Rick Baker’s gory makeup effects helped make this low-budget shocker a classic of modern horror. Read more at Perisphere. 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Rick Baker’s gory makeup effects helped make this low-budget shocker a classic of modern horror. Read more at Perisphere. 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A freak electrical accident spurs millions of wriggling worms to go on the attack. Rick Baker’s gory makeup effects helped make this low-budget shocker a classic of modern horror. Read more at Perisphere. 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Rick Baker’s gory makeup effects helped make this low-budget shocker a classic of modern horror. Read more at Perisphere. 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92m) dir Jeff Lieberman w/Don Scardino, Patricia Pearcy, R. A. Dow. A freak electrical accident spurs millions of wriggling worms to go on the attack. Rick Baker’s gory makeup effects helped make this low-budget shocker a classic of modern horror. Read more at Perisphere. SUN 7:00 MON/TUE 7:00 9:00 [post_title] => SQUIRM [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => squirm-2021-10-05 [to_ping] => [pinged] => [post_modified] => 2021-10-02 10:14:29 [post_modified_gmt] => 2021-10-02 15:14:29 [post_content_filtered] => [post_parent] => 78924 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-10-05#038;p=78924 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 78938 [post_author] => 3 [post_date] => 2021-07-19 20:49:52 [post_date_gmt] => 2021-07-20 01:49:52 [post_content] => (1976, 35mm, 92m) dir Jeff Lieberman w/Don Scardino, Patricia Pearcy, R. A. Dow. A freak electrical accident spurs millions of wriggling worms to go on the attack. Rick Baker’s gory makeup effects helped make this low-budget shocker a classic of modern horror. Read more at Perisphere. 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Rick Baker’s gory makeup effects helped make this low-budget shocker a classic of modern horror. Read more at Perisphere. 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[post_content] => (1950, 35mm, 104m) dir Henry Koster w/James Stewart, Josephine Hull, Charles Drake. Elwood P. Dowd’s (Stewart) best friend is an invisible six-foot-tall rabbit. Elwood’s family thinks he’s insane, and a comedy of errors ensues. Based on Mary Chase’s Pulitzer Prize-winning play, Harvey brought Stewart an Oscar nomination and gave Hull—reprising her Broadway role—a Best Supporting Actress win. 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Based on Mary Chase’s Pulitzer Prize-winning play, Harvey brought Stewart an Oscar nomination and gave Hull—reprising her Broadway role—a Best Supporting Actress win. 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Elwood’s family thinks he’s insane, and a comedy of errors ensues. Based on Mary Chase’s Pulitzer Prize-winning play, Harvey brought Stewart an Oscar nomination and gave Hull—reprising her Broadway role—a Best Supporting Actress win. 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Elwood P. Dowd’s (Stewart) best friend is an invisible six-foot-tall rabbit. Elwood’s family thinks he’s insane, and a comedy of errors ensues. Based on Mary Chase’s Pulitzer Prize-winning play, Harvey brought Stewart an Oscar nomination and gave Hull—reprising her Broadway role—a Best Supporting Actress win. 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Elwood P. Dowd’s (Stewart) best friend is an invisible six-foot-tall rabbit. Elwood’s family thinks he’s insane, and a comedy of errors ensues. Based on Mary Chase’s Pulitzer Prize-winning play, Harvey brought Stewart an Oscar nomination and gave Hull—reprising her Broadway role—a Best Supporting Actress win. 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A series of cattle deaths are traced to a gigantic nest of tarantulas. Only the Shat knows what to do, but short-sighted bureaucrats won’t listen. 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Only the Shat knows what to do, but short-sighted bureaucrats won’t listen. 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A series of cattle deaths are traced to a gigantic nest of tarantulas. Only the Shat knows what to do, but short-sighted bureaucrats won’t listen. 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Only the Shat knows what to do, but short-sighted bureaucrats won’t listen. 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A series of cattle deaths are traced to a gigantic nest of tarantulas. Only the Shat knows what to do, but short-sighted bureaucrats won’t listen. 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Only the Shat knows what to do, but short-sighted bureaucrats won’t listen. 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[post_content] => (1977, 35mm, 97m) dir John “Bud” Cardos w/William Shatner, Tiffany Bolling, Woody Strode. A series of cattle deaths are traced to a gigantic nest of tarantulas. Only the Shat knows what to do, but short-sighted bureaucrats won’t listen. SUN 7:00 MON/TUE 7:00 9:00 [post_title] => KINGDOM OF THE SPIDERS [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => kingdom-of-the-spiders-2021-10-12 [to_ping] => [pinged] => [post_modified] => 2021-07-19 20:49:02 [post_modified_gmt] => 2021-07-20 01:49:02 [post_content_filtered] => [post_parent] => 78939 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-10-12#038;p=78939 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 78950 [post_author] => 3 [post_date] => 2021-07-19 20:49:03 [post_date_gmt] => 2021-07-20 01:49:03 [post_content] => (1977, 35mm, 97m) dir John “Bud” Cardos w/William Shatner, Tiffany Bolling, Woody Strode. A series of cattle deaths are traced to a gigantic nest of tarantulas. Only the Shat knows what to do, but short-sighted bureaucrats won’t listen. 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Only the Shat knows what to do, but short-sighted bureaucrats won’t listen. 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Like many acts in the early 2000s, The Matches were set to be the next 'big thing'. After building a tight-knit music community in the Bay Area, they broke out and became an internationally touring act. An eclectic group of artistic weirdos, the band grew a thriving cult fanbase worldwide. For nearly a decade, The Matches toured mercilessly, but couldn't seem to return with more than a few hundred dollars. Between exhaustion and defeat, the band dissolved in 2009. In 2014, they decided to humbly reunite for what started as a small local show in San Francisco. Bleeding Audio is a portrait of how bands navigate the digitizing industry, told through the unique lens of The Matches' career. A live Q&A with Christer will follow the screening. $12 7:00 [post_title] => BLEEDING AUDIO [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => bleeding-audio [to_ping] => [pinged] => [post_modified] => 2021-10-03 20:47:15 [post_modified_gmt] => 2021-10-04 01:47:15 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=80406 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 80406 [post_author] => 3 [post_date] => 2021-08-10 22:10:40 [post_date_gmt] => 2021-08-11 03:10:40 [post_content] => (2020, DCP, 90m, USA) dir Chelsea Christer. Like many acts in the early 2000s, The Matches were set to be the next 'big thing'. After building a tight-knit music community in the Bay Area, they broke out and became an internationally touring act. An eclectic group of artistic weirdos, the band grew a thriving cult fanbase worldwide. For nearly a decade, The Matches toured mercilessly, but couldn't seem to return with more than a few hundred dollars. Between exhaustion and defeat, the band dissolved in 2009. In 2014, they decided to humbly reunite for what started as a small local show in San Francisco. Bleeding Audio is a portrait of how bands navigate the digitizing industry, told through the unique lens of The Matches' career. 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Saisaymar, Jenjira Pongpas, Sakda Kaewbuadee. Uncle Boonmee Who Can Recall His Past Lives (2010) follows the life of Boonmee, who is near the final stages of kidney failure. Boonmee returns to his hometown in the Northeast of Thailand for his recovery but has to encounter his past and what he’s convinced of as the reasons for his illness instead. On the one hand, the film’s ambiguous treatment of memories is intertwined with the region’s violent history. On the other hand, the film dwells in the past, reminiscing antiquated styles of low-budget Thai television dramas—a thoughtfully crafted tribute to the director’s memories of his childhood and all the obsolete and lost media forms. The film is part of Weerasethakul’s collaborative art project, “Primitive,” in which the director worked in a spontaneous mode with local teenagers in the Northeastern town, Nabua. Together, they produced videos and “a spaceship” as a way to escape the violent history of anti-Communist massacres. Primitive has been exhibited in many prestigious museums around the world, and its “spaceship” is currently installed for display at the Thai Film Archive. —Professor Palita Chunsaengchan The Trylon will be operating at 2/3rd capacity for this screening series. Tickets are free, but first-come first-serve. You are required to show proof of vaccination (vaccine card + government issued-ID that confirms the name listed on the vaccination card) for entry. 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Uncle Boonmee Who Can Recall His Past Lives (2010) follows the life of Boonmee, who is near the final stages of kidney failure. Boonmee returns to his hometown in the Northeast of Thailand for his recovery but has to encounter his past and what he’s convinced of as the reasons for his illness instead. On the one hand, the film’s ambiguous treatment of memories is intertwined with the region’s violent history. On the other hand, the film dwells in the past, reminiscing antiquated styles of low-budget Thai television dramas—a thoughtfully crafted tribute to the director’s memories of his childhood and all the obsolete and lost media forms. The film is part of Weerasethakul’s collaborative art project, “Primitive,” in which the director worked in a spontaneous mode with local teenagers in the Northeastern town, Nabua. Together, they produced videos and “a spaceship” as a way to escape the violent history of anti-Communist massacres. Primitive has been exhibited in many prestigious museums around the world, and its “spaceship” is currently installed for display at the Thai Film Archive. —Professor Palita Chunsaengchan The Trylon will be operating at 2/3rd capacity for this screening series. Tickets are free, but first-come first-serve. You are required to show proof of vaccination (vaccine card + government issued-ID that confirms the name listed on the vaccination card) for entry. 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=> 3 [post_date] => 2021-07-18 18:56:14 [post_date_gmt] => 2021-07-18 23:56:14 [post_content] => (2000, DCP, 108m) dir John Fawcett w/Emily Perkins, Katharine Isabelle, Kris Lemche. Ginger (Isabelle) and her sister Brigitte (Perkins) are goth outcasts, and best friends, in suburbia. When a werewolf bites Ginger, things begin changing. This coming-of-age tale works both as a gory horror flick and as an allegory about the complications of adolescence. Read more at Perisphere. 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Initially written off as a poor follow-up film for Juno screenwriter Diablo Cody, Jennifer has since become a kind of cult classic. Read more at Perisphere. FRI 9:15 SAT 7:00 SUN 5:15 [post_title] => JENNIFER’S BODY [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => jennifers-body [to_ping] => [pinged] => [post_modified] => 2021-10-12 11:25:11 [post_modified_gmt] => 2021-10-12 16:25:11 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=78829 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 2 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 78821 [post_author] => 3 [post_date] => 2021-07-18 18:56:14 [post_date_gmt] => 2021-07-18 23:56:14 [post_content] => (2000, DCP, 108m) dir John Fawcett w/Emily Perkins, Katharine Isabelle, Kris Lemche. Ginger (Isabelle) and her sister Brigitte (Perkins) are goth outcasts, and best friends, in suburbia. When a werewolf bites Ginger, things begin changing. This coming-of-age tale works both as a gory horror flick and as an allegory about the complications of adolescence. Read more at Perisphere. 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Katharine Isabelle, Kris Lemche. Ginger (Isabelle) and her sister Brigitte (Perkins) are goth outcasts, and best friends, in suburbia. When a werewolf bites Ginger, things begin changing. This coming-of-age tale works both as a gory horror flick and as an allegory about the complications of adolescence. Read more at Perisphere. 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Initially written off as a poor follow-up film for Juno screenwriter Diablo Cody, Jennifer has since become a kind of cult classic. Read more at Perisphere. FRI 9:15 SAT 7:00 SUN 5:15 [post_title] => JENNIFER’S BODY [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => jennifers-body [to_ping] => [pinged] => [post_modified] => 2021-10-12 11:25:11 [post_modified_gmt] => 2021-10-12 16:25:11 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=78829 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 2 [current_post] => 1 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 78829 [post_author] => 3 [post_date] => 2021-07-19 18:49:42 [post_date_gmt] => 2021-07-19 23:49:42 [post_content] => (2009, DCP, 102m) dir Karyn Kusama w/Megan Fox, Amanda Seyfried, Adam Brody. When a city band comes to a small-town bar in Devil’s Kettle, Jennifer (Fox) and Needy (Seyfried) go see them. Unfortunately, the band is made up of creeps who try to sacrifice Jennifer. Initially written off as a poor follow-up film for Juno screenwriter Diablo Cody, Jennifer has since become a kind of cult classic. Read more at Perisphere. 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[post_content] => (2021, DCP) Special Menu Productions Presents People Will Theater Again: A Short Film Showcase. Films include: - Bathroom Break - Blueberry - Good Enough - Mani Come Ragni (Hands Like Spiders) - Mickey Hardaway - White Tears Tickets are $16, and benefit Texas Equal Access Fund, Planned Parenthood, and Yellowhammer Fund. Trylon discount cards are not accepted at this screening. [post_title] => PEOPLE WILL THEATER AGAIN [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => people-will-theater-again [to_ping] => [pinged] => [post_modified] => 2021-10-03 21:12:47 [post_modified_gmt] => 2021-10-04 02:12:47 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=83888 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 78836 [post_author] => 3 [post_date] => 2021-07-19 18:49:42 [post_date_gmt] => 2021-07-19 23:49:42 [post_content] => (2009, DCP, 102m) dir Karyn Kusama w/Megan Fox, Amanda Seyfried, Adam Brody. When a city band comes to a small-town bar in Devil’s Kettle, Jennifer (Fox) and Needy (Seyfried) go see them. Unfortunately, the band is made up of creeps who try to sacrifice Jennifer. Initially written off as a poor follow-up film for Juno screenwriter Diablo Cody, Jennifer has since become a kind of cult classic. Read more at Perisphere. FRI 9:15 SAT 7:00 SUN 5:15 [post_title] => JENNIFER’S BODY [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => jennifers-body-2021-10-16 [to_ping] => [pinged] => [post_modified] => 2021-10-12 11:25:13 [post_modified_gmt] => 2021-10-12 16:25:13 [post_content_filtered] => [post_parent] => 78829 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-10-16#038;p=78829 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 78827 [post_author] => 3 [post_date] => 2021-07-18 18:56:14 [post_date_gmt] => 2021-07-18 23:56:14 [post_content] => (2000, DCP, 108m) dir John Fawcett w/Emily Perkins, Katharine Isabelle, Kris Lemche. Ginger (Isabelle) and her sister Brigitte (Perkins) are goth outcasts, and best friends, in suburbia. When a werewolf bites Ginger, things begin changing. This coming-of-age tale works both as a gory horror flick and as an allegory about the complications of adolescence. Read more at Perisphere. 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Films include: - Bathroom Break - Blueberry - Good Enough - Mani Come Ragni (Hands Like Spiders) - Mickey Hardaway - White Tears Tickets are $16, and benefit Texas Equal Access Fund, Planned Parenthood, and Yellowhammer Fund. Trylon discount cards are not accepted at this screening. 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Films include: - Bathroom Break - Blueberry - Good Enough - Mani Come Ragni (Hands Like Spiders) - Mickey Hardaway - White Tears Tickets are $16, and benefit Texas Equal Access Fund, Planned Parenthood, and Yellowhammer Fund. Trylon discount cards are not accepted at this screening. 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Initially written off as a poor follow-up film for Juno screenwriter Diablo Cody, Jennifer has since become a kind of cult classic. Read more at Perisphere. FRI 9:15 SAT 7:00 SUN 5:15 [post_title] => JENNIFER’S BODY [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => jennifers-body-2021-10-16 [to_ping] => [pinged] => [post_modified] => 2021-10-12 11:25:13 [post_modified_gmt] => 2021-10-12 16:25:13 [post_content_filtered] => [post_parent] => 78829 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-10-16#038;p=78829 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 78827 [post_author] => 3 [post_date] => 2021-07-18 18:56:14 [post_date_gmt] => 2021-07-18 23:56:14 [post_content] => (2000, DCP, 108m) dir John Fawcett w/Emily Perkins, Katharine Isabelle, Kris Lemche. 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2021-10-03 18:42:51 [post_date_gmt] => 2021-10-03 23:42:51 [post_content] => (2021, DCP) Special Menu Productions Presents People Will Theater Again: A Short Film Showcase. Films include: - Bathroom Break - Blueberry - Good Enough - Mani Come Ragni (Hands Like Spiders) - Mickey Hardaway - White Tears Tickets are $16, and benefit Texas Equal Access Fund, Planned Parenthood, and Yellowhammer Fund. Trylon discount cards are not accepted at this screening. 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Ginger (Isabelle) and her sister Brigitte (Perkins) are goth outcasts, and best friends, in suburbia. When a werewolf bites Ginger, things begin changing. This coming-of-age tale works both as a gory horror flick and as an allegory about the complications of adolescence. Read more at Perisphere. 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FBI agents track giant, carnivorous ants spawned by atomic radiation to their nests in the storm drains of Los Angeles. Warner Bros.’ biggest hit of 1954 is still tense and scary today. SUN 7:30 MON 7:00 TUE 9:00 [post_title] => THEM! [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => them [to_ping] => [pinged] => [post_modified] => 2021-07-19 20:48:11 [post_modified_gmt] => 2021-07-20 01:48:11 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=78951 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 3 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 78828 [post_author] => 3 [post_date] => 2021-07-18 18:56:14 [post_date_gmt] => 2021-07-18 23:56:14 [post_content] => (2000, DCP, 108m) dir John Fawcett w/Emily Perkins, Katharine Isabelle, Kris Lemche. Ginger (Isabelle) and her sister Brigitte (Perkins) are goth outcasts, and best friends, in suburbia. When a werewolf bites Ginger, things begin changing. This coming-of-age tale works both as a gory horror flick and as an allegory about the complications of adolescence. Read more at Perisphere. 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2021-07-18 18:56:14 [post_date_gmt] => 2021-07-18 23:56:14 [post_content] => (2000, DCP, 108m) dir John Fawcett w/Emily Perkins, Katharine Isabelle, Kris Lemche. Ginger (Isabelle) and her sister Brigitte (Perkins) are goth outcasts, and best friends, in suburbia. When a werewolf bites Ginger, things begin changing. This coming-of-age tale works both as a gory horror flick and as an allegory about the complications of adolescence. Read more at Perisphere. 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Initially written off as a poor follow-up film for Juno screenwriter Diablo Cody, Jennifer has since become a kind of cult classic. Read more at Perisphere. FRI 9:15 SAT 7:00 SUN 5:15 [post_title] => JENNIFER’S BODY [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => jennifers-body-2021-10-17 [to_ping] => [pinged] => [post_modified] => 2021-10-12 11:25:15 [post_modified_gmt] => 2021-10-12 16:25:15 [post_content_filtered] => [post_parent] => 78829 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-10-17#038;p=78829 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 78951 [post_author] => 3 [post_date] => 2021-07-19 20:48:11 [post_date_gmt] => 2021-07-20 01:48:11 [post_content] => (1954, DCP, 94m) dir Gordon Douglas w/James Whitmore, Edmund Gwenn, Joan Weldon. FBI agents track giant, carnivorous ants spawned by atomic radiation to their nests in the storm drains of Los Angeles. Warner Bros.’ biggest hit of 1954 is still tense and scary today. SUN 7:30 MON 7:00 TUE 9:00 [post_title] => THEM! [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => them [to_ping] => [pinged] => [post_modified] => 2021-07-19 20:48:11 [post_modified_gmt] => 2021-07-20 01:48:11 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=78951 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 3 [current_post] => 1 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 78837 [post_author] => 3 [post_date] => 2021-07-19 18:49:42 [post_date_gmt] => 2021-07-19 23:49:42 [post_content] => (2009, DCP, 102m) dir Karyn Kusama w/Megan Fox, Amanda Seyfried, Adam Brody. When a city band comes to a small-town bar in Devil’s Kettle, Jennifer (Fox) and Needy (Seyfried) go see them. Unfortunately, the band is made up of creeps who try to sacrifice Jennifer. Initially written off as a poor follow-up film for Juno screenwriter Diablo Cody, Jennifer has since become a kind of cult classic. Read more at Perisphere. 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FBI agents track giant, carnivorous ants spawned by atomic radiation to their nests in the storm drains of Los Angeles. Warner Bros.’ biggest hit of 1954 is still tense and scary today. SUN 7:30 MON 7:00 TUE 9:00 [post_title] => THEM! 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FBI agents track giant, carnivorous ants spawned by atomic radiation to their nests in the storm drains of Los Angeles. Warner Bros.’ biggest hit of 1954 is still tense and scary today. SUN 7:30 MON 7:00 TUE 9:00 [post_title] => THEM! [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => them-2021-10-18 [to_ping] => [pinged] => [post_modified] => 2021-07-19 20:48:12 [post_modified_gmt] => 2021-07-20 01:48:12 [post_content_filtered] => [post_parent] => 78951 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-10-18#038;p=78951 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 78959 [post_author] => 3 [post_date] => 2021-07-19 20:47:29 [post_date_gmt] => 2021-07-20 01:47:29 [post_content] => (1988, DCP, 89m) dir Juan Piquer Simón w/Michael Garfield, Philip MacHale, Santiago Álvarez. Many of you Trylon patrons keep asking, “When are you going to show a movie about disgusting, flesh-eating slugs?” Trust us: this one is exactly what you’ve been clamoring for. Also: please stop writing. 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SUN 7:30 MON 7:00 TUE 9:00 [post_title] => THEM! 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FBI agents track giant, carnivorous ants spawned by atomic radiation to their nests in the storm drains of Los Angeles. Warner Bros.’ biggest hit of 1954 is still tense and scary today. SUN 7:30 MON 7:00 TUE 9:00 [post_title] => THEM! [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => them-2021-10-18 [to_ping] => [pinged] => [post_modified] => 2021-07-19 20:48:12 [post_modified_gmt] => 2021-07-20 01:48:12 [post_content_filtered] => [post_parent] => 78951 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-10-18#038;p=78951 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 78959 [post_author] => 3 [post_date] => 2021-07-19 20:47:29 [post_date_gmt] => 2021-07-20 01:47:29 [post_content] => (1988, DCP, 89m) dir Juan Piquer Simón w/Michael Garfield, Philip MacHale, Santiago Álvarez. Many of you Trylon patrons keep asking, “When are you going to show a movie about disgusting, flesh-eating slugs?” Trust us: this one is exactly what you’ve been clamoring for. Also: please stop writing. MON 9:00 TUE 7:00 [post_title] => SLUGS: THE MOVIE [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => slugs-the-movie [to_ping] => [pinged] => [post_modified] => 2021-07-19 20:47:29 [post_modified_gmt] => 2021-07-20 01:47:29 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=78959 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 2 [current_post] => 1 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 78959 [post_author] => 3 [post_date] => 2021-07-19 20:47:29 [post_date_gmt] => 2021-07-20 01:47:29 [post_content] => (1988, DCP, 89m) dir Juan Piquer Simón w/Michael Garfield, Philip MacHale, Santiago Álvarez. Many of you Trylon patrons keep asking, “When are you going to show a movie about disgusting, flesh-eating slugs?” Trust us: this one is exactly what you’ve been clamoring for. Also: please stop writing. 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Philip MacHale, Santiago Álvarez. Many of you Trylon patrons keep asking, “When are you going to show a movie about disgusting, flesh-eating slugs?” Trust us: this one is exactly what you’ve been clamoring for. Also: please stop writing. MON 9:00 TUE 7:00 [post_title] => SLUGS: THE MOVIE [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => slugs-the-movie-2021-10-19 [to_ping] => [pinged] => [post_modified] => 2021-07-19 20:47:30 [post_modified_gmt] => 2021-07-20 01:47:30 [post_content_filtered] => [post_parent] => 78959 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-10-19#038;p=78959 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 78958 [post_author] => 3 [post_date] => 2021-07-19 20:48:13 [post_date_gmt] => 2021-07-20 01:48:13 [post_content] => (1954, DCP, 94m) dir Gordon Douglas w/James Whitmore, Edmund Gwenn, Joan Weldon. FBI agents track giant, carnivorous ants spawned by atomic radiation to their nests in the storm drains of Los Angeles. Warner Bros.’ biggest hit of 1954 is still tense and scary today. SUN 7:30 MON 7:00 TUE 9:00 [post_title] => THEM! 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Also: please stop writing. 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89m) dir Juan Piquer Simón w/Michael Garfield, Philip MacHale, Santiago Álvarez. Many of you Trylon patrons keep asking, “When are you going to show a movie about disgusting, flesh-eating slugs?” Trust us: this one is exactly what you’ve been clamoring for. Also: please stop writing. MON 9:00 TUE 7:00 [post_title] => SLUGS: THE MOVIE [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => slugs-the-movie-2021-10-19 [to_ping] => [pinged] => [post_modified] => 2021-07-19 20:47:30 [post_modified_gmt] => 2021-07-20 01:47:30 [post_content_filtered] => [post_parent] => 78959 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-10-19#038;p=78959 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 78958 [post_author] => 3 [post_date] => 2021-07-19 20:48:13 [post_date_gmt] => 2021-07-20 01:48:13 [post_content] => (1954, DCP, 94m) dir Gordon Douglas w/James Whitmore, Edmund Gwenn, Joan Weldon. FBI agents track giant, carnivorous ants spawned by atomic radiation to their nests in the storm drains of Los Angeles. Warner Bros.’ biggest hit of 1954 is still tense and scary today. SUN 7:30 MON 7:00 TUE 9:00 [post_title] => THEM! 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SUN 7:30 MON 7:00 TUE 9:00 [post_title] => THEM! 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Also known as I Was a Teenage Sex Maniac, and I Was a Teenage Sex Mutant. A college biology teacher meets his untimely demise after being chased by a UFO. A sexy but mysterious substitute starts performing "vitamin research" on a nerdy student suddenly making him a chick magnet. $5 7:00 [post_title] => DR. ALIEN [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => dr-alien-2 [to_ping] => [pinged] => [post_modified] => 2021-08-06 20:16:35 [post_modified_gmt] => 2021-08-07 01:16:35 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=80128 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 80128 [post_author] => 3 [post_date] => 2021-08-06 20:13:58 [post_date_gmt] => 2021-08-07 01:13:58 [post_content] => (1989, DVD, 85m) dir David DeCoteau w/Billy Jayne, Judy Landers and Olivia Barash. Also known as I Was a Teenage Sex Maniac, and I Was a Teenage Sex Mutant. A college biology teacher meets his untimely demise after being chased by a UFO. A sexy but mysterious substitute starts performing "vitamin research" on a nerdy student suddenly making him a chick magnet. $5 7:00 [post_title] => DR. 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For his first feature film in seven years, Tsai Ming-liang continues his collaboration with Lee Kang-sheng, the actor who had starred in every one of his ten previous films, including Stray Dogs (2013), which Tsai had initially declared his final feature. Instead of repeating that film’s devastating finality, Days plays largely like a leisurely documentary, with Lee’s character, Hsiao Kang, getting treatment for the chronic neck pain that had initially plagued both the actor and the character in the time of The River (1997). A side story follows a character played by Laotian immigrant to Thailand Anong Houngheuangsy going about ordinary life in his simple apartment. Eventually the two characters come together for an intimate encounter, the transactional nature of which is belied by its gentle warmth and passion. The result is one of Tsai’s finest films to date, showing both his mastery of “slow-cinema” pacing, in which every detail becomes an event in itself, and his deep compassion for other beings, however isolated or marginal their lives may be. —Professor Jason McGrath The Trylon will be operating at 2/3rd capacity for this series. Tickets are free, but we recommend you reserve them online. You are required to show proof of vaccination (vaccine card + government issued-ID that confirms the name listed on the vaccination card) for entry. Concessions will not be offered, for the safety of all patrons! 7:00 FREE [post_title] => DAYS [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => days [to_ping] => [pinged] => [post_modified] => 2021-09-19 19:33:29 [post_modified_gmt] => 2021-09-20 00:33:29 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=82662 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 82662 [post_author] => 3 [post_date] => 2021-09-19 19:33:29 [post_date_gmt] => 2021-09-20 00:33:29 [post_content] => (2020, DCP, 127m) dir Ming-liang Tsai w/Kang-sheng Lee, Anong Houngheuangsy. For his first feature film in seven years, Tsai Ming-liang continues his collaboration with Lee Kang-sheng, the actor who had starred in every one of his ten previous films, including Stray Dogs (2013), which Tsai had initially declared his final feature. Instead of repeating that film’s devastating finality, Days plays largely like a leisurely documentary, with Lee’s character, Hsiao Kang, getting treatment for the chronic neck pain that had initially plagued both the actor and the character in the time of The River (1997). A side story follows a character played by Laotian immigrant to Thailand Anong Houngheuangsy going about ordinary life in his simple apartment. Eventually the two characters come together for an intimate encounter, the transactional nature of which is belied by its gentle warmth and passion. The result is one of Tsai’s finest films to date, showing both his mastery of “slow-cinema” pacing, in which every detail becomes an event in itself, and his deep compassion for other beings, however isolated or marginal their lives may be. —Professor Jason McGrath The Trylon will be operating at 2/3rd capacity for this series. Tickets are free, but we recommend you reserve them online. You are required to show proof of vaccination (vaccine card + government issued-ID that confirms the name listed on the vaccination card) for entry. 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Damn. Night.) You can thank a global pandemic (you may have heard about it) for the once-in-a-lifetime opportunity to endure two Horrorthons in a single year. This time, celebrating our fifth year of collaboration with the Cult Film Collective, we bring you a thoughtfully curated selection of horror movie sequels. (Fans of Leprechaun 4: In Space, rejoice!) (Not really) Those who stay to the bitter end will receive a limited-edition button and screenprinted poster designed by the freaks behind Tape Freaks. Promotional support is provided by Trash Film Debauchery. The Trylon Cinema will require proof of vaccination (or a negative COVID test) to attend Horrorthon V: Son of Horrorthon. Please plan to show your vaccination card, a legible photo of your card, proof of vaccination in the Docket app, or a negative test result within 72 hours when you pick up your ticket. If you have any questions, please email info@trylon.org. 8:00, $50. [post_title] => HORRORTHON V: SON OF HORRORTHON SOLD OUT! [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => horrorthon-v-son-of-horrorthon [to_ping] => [pinged] => [post_modified] => 2021-09-24 10:30:19 [post_modified_gmt] => 2021-09-24 15:30:19 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=78838 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 78838 [post_author] => 3 [post_date] => 2021-07-18 19:09:37 [post_date_gmt] => 2021-07-19 00:09:37 [post_content] => (35mm/16mm/DCP, All. Damn. Night.) You can thank a global pandemic (you may have heard about it) for the once-in-a-lifetime opportunity to endure two Horrorthons in a single year. This time, celebrating our fifth year of collaboration with the Cult Film Collective, we bring you a thoughtfully curated selection of horror movie sequels. (Fans of Leprechaun 4: In Space, rejoice!) (Not really) Those who stay to the bitter end will receive a limited-edition button and screenprinted poster designed by the freaks behind Tape Freaks. Promotional support is provided by Trash Film Debauchery. The Trylon Cinema will require proof of vaccination (or a negative COVID test) to attend Horrorthon V: Son of Horrorthon. Please plan to show your vaccination card, a legible photo of your card, proof of vaccination in the Docket app, or a negative test result within 72 hours when you pick up your ticket. If you have any questions, please email info@trylon.org. 8:00, $50. [post_title] => HORRORTHON V: SON OF HORRORTHON SOLD OUT! 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Nicole Berger. 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[post_content] => (1968, DCP, 87m) dir Melvin Van Peebles w/Harry Baird, Nicole Berger. Turner (Baird) is a black American soldier stationed in France under the command of a bigot. He receives a three-day leave and finds romance with a white woman (Berger). Bearing reflections of the French New Wave and glimmers of the subversive elements in Van Peeble’s later work, Three-Day Pass is a gem finally uncovered. 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Scientists in the Arizona desert set out to study a colony of superintelligent ants. But before long the researchers are fighting for their lives, in legendary graphic designer Bass’s only directorial foray. 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