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MIZNA FILM SERIES

Fourth Wednesdays at the Trylon

The Mizna Film Series is a monthly selection of programs, marking Mizna’s first venture into year-round curated film programming. While the annual Film Festival organized by the St. Paul-based organization focuses primarily on the works of contemporary artists, the Mizna Film Series provides a space to expand Mizna’s regular film programming to include screenings, critical essays, filmmaker interviews, and discussions exploring revolutionary forms of cinema from the Southwest Asia and North Africa region and beyond.

The Series continues its monthly program with a special Beirut-focused summer series. Encountering the real effects of destruction, the films in this series complicate the relationship between fact and fiction, using poetry and other forms of intermediality to witness what emerges from ruins. Beirut, a city that has often been the site of sectarian, colonialist and imperialist violence, is a context which produces films that critically engage with images related to moments during, between, and after war and upheaval. At the center of this series is a retrospective of recently restored films by Jocelyne Saab, who uses documentary form to demonstrate the effects of violence in Lebanon and to challenge dominant western media perceptions and practices of filming and exhibiting war in Beirut. This series coincides with and honors the one year anniversary of the devastating Beirut Port explosion through the celebration of Lebanese filmmaking.

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Upcoming Films in this Series

Wed, June 23

BEIRUT: YOUTH IN RESISTANCE

Two short documentaries by Jocelyne Saab shot near the beginning of the Lebanese Civil War and a feature-length documentary by Mai Masri and Jean Chamoun shot toward the end of the war in 1988 will screen this June. Central to these films are the youth of Beirut as they live with and resist imperialist and sectarian forms of violence. Palestinian Women (1974, DCP, 10m) dir. Jocelyne Saab. In this short film, originally commissioned for French television but never aired, Jocelyne…

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Past Films in this Series

Starts Wed, February 24

SOLEIL Ô

(1970, DCP, 98m) dir Med Hondo w/Robert Liensol, Théo Légitimus, Ambroise M'Bia. A bitterly funny, stylistically explosive attack on Western capitalism and colonialism, Soleil Ô follows a starry-eyed immigrant as he leaves West Africa for Paris in search of a job and cultural enrichment. He soon discovers a hostile society in which his very presence elicits fear and resentment. Hondo deploys an array of narrative and stylistic techniques—animation, docudrama, dream sequences, musical numbers, folklore, slapstick comedy, agitprop—to create a landmark of…

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Starts Wed, March 24

AN UNUSUAL SUMMER

(2020, DCP, 80m) dir Kamal Aljafari. Following an act of vandalism, the Palestinian filmmaker's father decides to install a surveillance camera to record the scenes unfolding in front of the house. Through everyday family life, or neighbors going to work, An Unusual Summer captures fleeting moments of poetry whereas, in the background, the daily choreography of El Ramle under Israeli occupation, comes to the surface. $10 There is a free, virtual discussion with film director Kamal Aljafari and scholar Kareem…

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Starts Wed, April 28

AL ASLEYEEN (THE ORIGINALS)

(2017, DCP, 125 mins) dir Marwan Hamed w/ Maged El-Kedwany, Khaled El-Sawy, Menna Shalaby, Kenda Alloush. Samir Eliwa is the head of a small family, an employee in a bank for years, but he suddenly gets fired after a decision to reduce labor, which was a shock he couldn’t face his family with, during his search for a job he discovers that his bank account is depleted, few days later he opens the door to find a box with a…

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Starts Wed, May 26

EMPTY METAL

(2018, DCP, 83m) dir Bayley Sweitzer & Adam Khalil (Ojibway) w/ Rose Mori, Sam Richardson, Austin Sley Julian, Pawel Wojtasik. Empty Metal reveals a political fantasy, an alternative reality whose characters teeter on the dull knife edge that is contemporary American politics, but they refuse to fall right or left. Instead, they lash out from the soul, and under the radar, in an attempt to achieve what their mainstream predecessors have yet to accomplish. Empty Metal is a war movie without a war,…

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