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CAROL REED: THE ODD MAN OUT

February at the Trylon

Carol Reed’s key films are steeped in war-torn Europe, highlighting burned-out buildings, rubble-covered streets, and deep-seated suspicions. He left an indelible mark with a series of pre- and postwar thrillers that explore the banality of evil and illustrate his belief that “A picture should end as it has to. I don’t think anything in life ends ‘right’.”

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