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BURDENED WITH DREAMS: EARLY HERZOG

November at the Trylon

From the start, Werner Herzog eschewed the eroticism and political focus of his New German Cinema peers, focusing instead on men desperate for power and dignity. He had two muses: the raving megalomaniac Klaus Kinski and the shy outsider artist Bruno Schleinstein, both of whom helped forge his singular, darkly serious style. Promotional support for this series is provided by the Germanic-American Institute (gaimn.org).

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