
Events for May 2021
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Events for May 2021
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26 WP_Query Object ( [query] => Array ( [do_not_inject_date] => 1 [end_date] => 2021-04-26 23:59:59 [eventDate] => 2021-05 [eventDisplay] => month [no_found_rows] => [order] => ASC [orderby] => post__in [post__in] => Array ( [0:1619463600:71892] => 71892 ) [post_type] => tribe_events [posts_per_page] => 5 [start_date] => 2021-04-26 00:00:00 [tribe_render_context] => default [update_post_meta_cache] => [update_post_term_cache] => ) [query_vars] => Array ( [do_not_inject_date] => 1 [end_date] => 2021-04-26 23:59:59 [eventDate] => 2021-05 [eventDisplay] => month [no_found_rows] => [order] => [orderby] => post__in [post__in] => Array ( [0:1619463600:71892] => 71892 ) [post_type] => tribe_events [posts_per_page] => 5 [start_date] => 2021-04-26 00:00:00 [tribe_render_context] => default [update_post_meta_cache] => [update_post_term_cache] => [error] => [m] => [p] => 0 [post_parent] => [subpost] => [subpost_id] => [attachment] => [attachment_id] => 0 [name] => [pagename] => [page_id] => 0 [second] => [minute] => [hour] => [day] => 0 [monthnum] => 0 [year] => 0 [w] => 0 [category_name] => [tag] => [cat] => [tag_id] => [author] => [author_name] => [feed] => [tb] => [paged] => 0 [meta_key] => [meta_value] => [preview] => [s] => [sentence] => [title] => [fields] => [menu_order] => => [category__in] => Array ( ) [category__not_in] => Array ( ) [category__and] => Array ( ) [post__not_in] => Array ( ) [post_name__in] => Array ( ) [tag__in] => Array ( ) [tag__not_in] => Array ( ) [tag__and] => Array ( ) [tag_slug__in] => Array ( ) [tag_slug__and] => Array ( ) [post_parent__in] => Array ( ) [post_parent__not_in] => Array ( ) [author__in] => Array ( ) [author__not_in] => Array ( ) [hide_upcoming] => 1 [meta_query] => Array ( [0] => Array ( [key] => _EventStartDateUTC [type] => DATETIME ) [relation] => AND [1] => ) [ignore_sticky_posts] => [suppress_filters] => [cache_results] => 1 [lazy_load_term_meta] => [nopaging] => [comments_per_page] => 50 ) [tax_query] => WP_Tax_Query Object ( [queries] => Array ( ) [relation] => AND [table_aliases:protected] => Array ( ) [queried_terms] => Array ( ) [primary_table] => wp_stwz_posts [primary_id_column] => ID ) [meta_query] => WP_Meta_Query Object ( [queries] => Array ( [0] => Array ( [key] => _EventStartDateUTC [type] => DATETIME ) [relation] => OR ) [relation] => AND [meta_table] => wp_stwz_postmeta [meta_id_column] => post_id [primary_table] => wp_stwz_posts [primary_id_column] => ID [table_aliases:protected] => Array ( [0] => wp_stwz_postmeta ) [clauses:protected] => Array ( [wp_stwz_postmeta] => Array ( [key] => _EventStartDateUTC [type] => DATETIME [compare] => = [compare_key] => = [alias] => wp_stwz_postmeta [cast] => DATETIME ) ) [has_or_relation:protected] => ) [date_query] => [request] => SELECT SQL_CALC_FOUND_ROWS DISTINCT wp_stwz_posts.ID FROM wp_stwz_posts INNER JOIN wp_stwz_postmeta ON ( wp_stwz_posts.ID = wp_stwz_postmeta.post_id ) LEFT JOIN wp_stwz_postmeta as tribe_event_end_date ON ( wp_stwz_posts.ID = tribe_event_end_date.post_id AND tribe_event_end_date.meta_key = '_EventEndDateUTC' ) WHERE 1=1 AND wp_stwz_posts.ID IN (71892) AND ( wp_stwz_postmeta.meta_key = '_EventStartDateUTC' ) AND wp_stwz_posts.post_type = 'tribe_events' AND (wp_stwz_posts.post_status = 'publish' OR wp_stwz_posts.post_status = 'acf-disabled' OR wp_stwz_posts.post_status = 'tribe-ea-success' OR wp_stwz_posts.post_status = 'tribe-ea-failed' OR wp_stwz_posts.post_status = 'tribe-ea-schedule' OR wp_stwz_posts.post_status = 'tribe-ea-pending' OR wp_stwz_posts.post_status = 'tribe-ea-draft') AND ((wp_stwz_postmeta.meta_value >= '2021-04-26 05:00:00' AND wp_stwz_postmeta.meta_value <= '2021-04-27 04:59:59') OR (tribe_event_end_date.meta_value >= '2021-04-26 05:00:00' AND wp_stwz_postmeta.meta_value <= '2021-04-27 04:59:59' ) OR (wp_stwz_postmeta.meta_value < '2021-04-26 05:00:00' AND tribe_event_end_date.meta_value >= '2021-04-27 04:59:59' )) GROUP BY wp_stwz_posts.ID ORDER BY FIELD(wp_stwz_posts.ID,71892) LIMIT 0, 5 [posts] => Array ( [0] => WP_Post Object ( [ID] => 71892 [post_author] => 3 [post_date] => 2020-12-05 17:16:16 [post_date_gmt] => 2020-12-05 23:16:16 [post_content] => (1997, DCP, 96m, Cantonese w/ English subtitles) w/Leslie Cheung, Tony Leung, Chen Chang. Released the same year as the handover of Hong Kong, Happy depicts couple Ho Po-wing (Cheung) and Lai Yiu-fai (Leung) as they travel through Argentina, and their relationship falls apart. A landmark in Queer Cinema. FRI/SAT 7:00 9:00 SUN 3:00 5:00 7:00 MON/TUE 7:00 [post_title] => HAPPY TOGETHER [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => happy-together-2021-04-26 [to_ping] => [pinged] => [post_modified] => 2021-02-08 18:17:59 [post_modified_gmt] => 2021-02-09 00:17:59 [post_content_filtered] => [post_parent] => 70823 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-04-26#038;p=70823 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 71892 [post_author] => 3 [post_date] => 2020-12-05 17:16:16 [post_date_gmt] => 2020-12-05 23:16:16 [post_content] => (1997, DCP, 96m, Cantonese w/ English subtitles) w/Leslie Cheung, Tony Leung, Chen Chang. Released the same year as the handover of Hong Kong, Happy depicts couple Ho Po-wing (Cheung) and Lai Yiu-fai (Leung) as they travel through Argentina, and their relationship falls apart. A landmark in Queer Cinema. FRI/SAT 7:00 9:00 SUN 3:00 5:00 7:00 MON/TUE 7:00 [post_title] => HAPPY TOGETHER [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => happy-together-2021-04-26 [to_ping] => [pinged] => [post_modified] => 2021-02-08 18:17:59 [post_modified_gmt] => 2021-02-09 00:17:59 [post_content_filtered] => [post_parent] => 70823 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-04-26#038;p=70823 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [comment_count] => 0 [current_comment] => -1 [found_posts] => 1 [max_num_pages] => 1 [max_num_comment_pages] => 0 [is_single] => [is_preview] => [is_page] => [is_archive] => 1 [is_date] => [is_year] => [is_month] => [is_day] => [is_time] => [is_author] => [is_category] => [is_tag] => [is_tax] => [is_search] => [is_feed] => [is_comment_feed] => [is_trackback] => [is_home] => [is_privacy_policy] => [is_404] => 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Object ( [queries] => Array ( [0] => Array ( [key] => _EventStartDateUTC [type] => DATETIME ) [relation] => OR ) [relation] => AND [meta_table] => wp_stwz_postmeta [meta_id_column] => post_id [primary_table] => wp_stwz_posts [primary_id_column] => ID [table_aliases:protected] => Array ( [0] => wp_stwz_postmeta ) [clauses:protected] => Array ( [wp_stwz_postmeta] => Array ( [key] => _EventStartDateUTC [type] => DATETIME [compare] => = [compare_key] => = [alias] => wp_stwz_postmeta [cast] => DATETIME ) ) [has_or_relation:protected] => ) [date_query] => [request] => SELECT SQL_CALC_FOUND_ROWS DISTINCT wp_stwz_posts.ID FROM wp_stwz_posts INNER JOIN wp_stwz_postmeta ON ( wp_stwz_posts.ID = wp_stwz_postmeta.post_id ) LEFT JOIN wp_stwz_postmeta as tribe_event_end_date ON ( wp_stwz_posts.ID = tribe_event_end_date.post_id AND tribe_event_end_date.meta_key = '_EventEndDateUTC' ) WHERE 1=1 AND wp_stwz_posts.ID IN (71893) AND ( wp_stwz_postmeta.meta_key = '_EventStartDateUTC' ) AND 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Cantonese w/ English subtitles) w/Leslie Cheung, Tony Leung, Chen Chang. Released the same year as the handover of Hong Kong, Happy depicts couple Ho Po-wing (Cheung) and Lai Yiu-fai (Leung) as they travel through Argentina, and their relationship falls apart. A landmark in Queer Cinema. FRI/SAT 7:00 9:00 SUN 3:00 5:00 7:00 MON/TUE 7:00 [post_title] => HAPPY TOGETHER [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => happy-together-2021-04-27 [to_ping] => [pinged] => [post_modified] => 2021-02-08 18:18:01 [post_modified_gmt] => 2021-02-09 00:18:01 [post_content_filtered] => [post_parent] => 70823 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-04-27#038;p=70823 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 71893 [post_author] => 3 [post_date] => 2020-12-05 17:16:16 [post_date_gmt] => 2020-12-05 23:16:16 [post_content] => (1997, DCP, 96m, Cantonese w/ English subtitles) w/Leslie Cheung, Tony Leung, Chen Chang. Released the same year as the handover of Hong Kong, Happy depicts couple Ho Po-wing (Cheung) and Lai Yiu-fai (Leung) as they travel through Argentina, and their relationship falls apart. A landmark in Queer Cinema. 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Object ( [queries] => Array ( [0] => Array ( [key] => _EventStartDateUTC [type] => DATETIME ) [relation] => OR ) [relation] => AND [meta_table] => wp_stwz_postmeta [meta_id_column] => post_id [primary_table] => wp_stwz_posts [primary_id_column] => ID [table_aliases:protected] => Array ( [0] => wp_stwz_postmeta ) [clauses:protected] => Array ( [wp_stwz_postmeta] => Array ( [key] => _EventStartDateUTC [type] => DATETIME [compare] => = [compare_key] => = [alias] => wp_stwz_postmeta [cast] => DATETIME ) ) [has_or_relation:protected] => ) [date_query] => [request] => SELECT SQL_CALC_FOUND_ROWS DISTINCT wp_stwz_posts.ID FROM wp_stwz_posts INNER JOIN wp_stwz_postmeta ON ( wp_stwz_posts.ID = wp_stwz_postmeta.post_id ) LEFT JOIN wp_stwz_postmeta as tribe_event_end_date ON ( wp_stwz_posts.ID = tribe_event_end_date.post_id AND tribe_event_end_date.meta_key = '_EventEndDateUTC' ) WHERE 1=1 AND wp_stwz_posts.ID IN (73417) AND ( wp_stwz_postmeta.meta_key = '_EventStartDateUTC' ) AND 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Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. FRI/SAT 7:00 9:15 SUN 3:00 5:15 7:30 MON/TUE 7:00 [post_title] => CHUNGKING EXPRESS [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => chungking-express-2021-04-30 [to_ping] => [pinged] => [post_modified] => 2021-03-19 21:34:13 [post_modified_gmt] => 2021-03-20 02:34:13 [post_content_filtered] => [post_parent] => 70817 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-04-30&eventSequence=2#038;p=70817 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 2 [current_post] => 1 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 71895 [post_author] => 3 [post_date] => 2020-12-05 17:04:32 [post_date_gmt] => 2020-12-05 23:04:32 [post_content] => (1994, DCP, 102m, Cantonese w/ English subtitles) w/Brigitte Lin, Tony Leung, Faye Wong. Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. FRI/SAT 7:00 9:15 SUN 3:00 5:15 7:30 MON/TUE 7:00 [post_title] => CHUNGKING EXPRESS [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => chungking-express-2021-05-01-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 21:34:16 [post_modified_gmt] => 2021-03-20 02:34:16 [post_content_filtered] => [post_parent] => 70817 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-01&eventSequence=2#038;p=70817 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 2 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 71896 [post_author] => 3 [post_date] => 2020-12-05 17:04:32 [post_date_gmt] => 2020-12-05 23:04:32 [post_content] => (1994, DCP, 102m, Cantonese w/ English subtitles) w/Brigitte Lin, Tony Leung, Faye Wong. Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. FRI/SAT 7:00 9:15 SUN 3:00 5:15 7:30 MON/TUE 7:00 [post_title] => CHUNGKING EXPRESS [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => chungking-express-2021-05-02-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 21:34:19 [post_modified_gmt] => 2021-03-20 02:34:19 [post_content_filtered] => [post_parent] => 70817 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-02&eventSequence=2#038;p=70817 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71900 [post_author] => 3 [post_date] => 2020-12-05 17:04:32 [post_date_gmt] => 2020-12-05 23:04:32 [post_content] => (1994, DCP, 102m, Cantonese w/ English subtitles) w/Brigitte Lin, Tony Leung, Faye Wong. Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. FRI/SAT 7:00 9:15 SUN 3:00 5:15 7:30 MON/TUE 7:00 [post_title] => CHUNGKING EXPRESS [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => chungking-express-2021-05-02-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 21:34:19 [post_modified_gmt] => 2021-03-20 02:34:19 [post_content_filtered] => [post_parent] => 70817 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-02&eventSequence=2#038;p=70817 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71900 [post_author] => 3 [post_date] => 2020-12-05 17:04:32 [post_date_gmt] => 2020-12-05 23:04:32 [post_content] => (1994, DCP, 102m, Cantonese w/ English subtitles) w/Brigitte Lin, Tony Leung, Faye Wong. Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. FRI/SAT 7:00 9:15 SUN 3:00 5:15 7:30 MON/TUE 7:00 [post_title] => CHUNGKING EXPRESS [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => chungking-express-2021-05-02-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 21:34:19 [post_modified_gmt] => 2021-03-20 02:34:19 [post_content_filtered] => [post_parent] => 70817 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-02&eventSequence=2#038;p=70817 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71900 [post_author] => 3 [post_date] => 2020-12-05 17:04:32 [post_date_gmt] => 2020-12-05 23:04:32 [post_content] => (1994, DCP, 102m, Cantonese w/ English subtitles) w/Brigitte Lin, Tony Leung, Faye Wong. Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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Cantonese w/ English subtitles) w/Brigitte Lin, Tony Leung, Faye Wong. Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. FRI/SAT 7:00 9:15 SUN 3:00 5:15 7:30 MON/TUE 7:00 [post_title] => CHUNGKING EXPRESS [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => chungking-express-2021-05-04 [to_ping] => [pinged] => [post_modified] => 2021-03-19 21:34:22 [post_modified_gmt] => 2021-03-20 02:34:22 [post_content_filtered] => [post_parent] => 70817 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-04#038;p=70817 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 71902 [post_author] => 3 [post_date] => 2020-12-05 17:04:32 [post_date_gmt] => 2020-12-05 23:04:32 [post_content] => (1994, DCP, 102m, Cantonese w/ English subtitles) w/Brigitte Lin, Tony Leung, Faye Wong. Two heart-sick Hong Kong cops (Kaneshiro and Leung), both jilted by ex-lovers, cross paths at the Midnight Express take-out stand, where Faye (Wong) works. Truly one of the defining works of 1990s cinema, it made Wong Kar Wai an icon. 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w/Kyle MacLachlan, Isabella Rossellini, Dennis Hopper. Perhaps his most famous film, Blue Velvet is a bizarre stairway into the underworld of suburbia, that begins with the discovery of a human ear. Rossellini and Hopper are especially memorable in one of the most unnerving films ever made. Thursday, May 6 is sold out. Tickets are available for Wednesday, May 5. $12 7:30 [post_title] => BLUE VELVET [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => blue-velvet [to_ping] => [pinged] => [post_modified] => 2021-04-09 19:20:10 [post_modified_gmt] => 2021-04-10 00:20:10 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=72273 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 72273 [post_author] => 3 [post_date] => 2021-02-22 19:15:16 [post_date_gmt] => 2021-02-23 01:15:16 [post_content] => (1986, DCP, 120m) w/Kyle MacLachlan, Isabella Rossellini, Dennis Hopper. Perhaps his most famous film, Blue Velvet is a bizarre stairway into the underworld of suburbia, that begins with the discovery of a human ear. Rossellini and Hopper are especially memorable in one of the most unnerving films ever made. Thursday, May 6 is sold out. 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Hopper. Perhaps his most famous film, Blue Velvet is a bizarre stairway into the underworld of suburbia, that begins with the discovery of a human ear. Rossellini and Hopper are especially memorable in one of the most unnerving films ever made. Thursday, May 6 is sold out. Tickets are available for Wednesday, May 5. $12 7:30 [post_title] => BLUE VELVET [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => blue-velvet-2021-05-06 [to_ping] => [pinged] => [post_modified] => 2021-02-22 19:15:16 [post_modified_gmt] => 2021-02-23 01:15:16 [post_content_filtered] => [post_parent] => 72273 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-06#038;p=72273 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 73670 [post_author] => 3 [post_date] => 2021-02-22 19:15:16 [post_date_gmt] => 2021-02-23 01:15:16 [post_content] => (1986, DCP, 120m) w/Kyle MacLachlan, Isabella Rossellini, Dennis Hopper. Perhaps his most famous film, Blue Velvet is a bizarre stairway into the underworld of suburbia, that begins with the discovery of a human ear. Rossellini and Hopper are especially memorable in one of the most unnerving films ever made. Thursday, May 6 is sold out. 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Hulot is caught in a tug-of-war between his carefree, rustic existence and that of his materialistic sister. A riot of vivid color and absurdist décor, the film is so funny that it’s easy to miss its underlying sadness. 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A riot of vivid color and absurdist décor, the film is so funny that it’s easy to miss its underlying sadness. 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Hulot is caught in a tug-of-war between his carefree, rustic existence and that of his materialistic sister. A riot of vivid color and absurdist décor, the film is so funny that it’s easy to miss its underlying sadness. 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35mm, 116m, English and French w/English subtitles) w/Tati, Jean-Pierre Zola, Adrienne Servantie. Hulot is caught in a tug-of-war between his carefree, rustic existence and that of his materialistic sister. A riot of vivid color and absurdist décor, the film is so funny that it’s easy to miss its underlying sadness. 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A riot of vivid color and absurdist décor, the film is so funny that it’s easy to miss its underlying sadness. 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The postman of a small French town (Tati) sees a short film that fools him into thinking that all postmen in America do dangerous stunts to deliver the mail. Tati’s first film is a joy to behold. 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The first Hulot film follows the charming buffoon to a seaside resort, where he unintentionally sows chaos among the vacationers. With its spare dialogue and gentle satire of politics and commercialism, this movie established Tati’s style. 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With its spare dialogue and gentle satire of politics and commercialism, this movie established Tati’s style. FRI 7:00 SAT 8:30 SUN 3:00 5:00 MON/TUES 7:00 [post_title] => MONSIEUR HULOT’S HOLIDAY [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => monsieur-hulots-holiday-2021-05-16-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 22:02:43 [post_modified_gmt] => 2021-03-20 03:02:43 [post_content_filtered] => [post_parent] => 63684 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-16&eventSequence=2#038;p=63684 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71944 [post_author] => 3 [post_date] => 2021-02-07 18:43:05 [post_date_gmt] => 2021-02-08 00:43:05 [post_content] => (1949, DCP, 70m, French w/English subtitles) w/Tati, Guy Declombe, Paul Frankeur. The postman of a small French town (Tati) sees a short film that fools him into thinking that all postmen in America do dangerous stunts to deliver the mail. Tati’s first film is a joy to behold. 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With its spare dialogue and gentle satire of politics and commercialism, this movie established Tati’s style. 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The first Hulot film follows the charming buffoon to a seaside resort, where he unintentionally sows chaos among the vacationers. With its spare dialogue and gentle satire of politics and commercialism, this movie established Tati’s style. 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With its spare dialogue and gentle satire of politics and commercialism, this movie established Tati’s style. FRI 7:00 SAT 8:30 SUN 3:00 5:00 MON/TUES 7:00 [post_title] => MONSIEUR HULOT’S HOLIDAY [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => monsieur-hulots-holiday-2021-05-16-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 22:02:43 [post_modified_gmt] => 2021-03-20 03:02:43 [post_content_filtered] => [post_parent] => 63684 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-16&eventSequence=2#038;p=63684 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71944 [post_author] => 3 [post_date] => 2021-02-07 18:43:05 [post_date_gmt] => 2021-02-08 00:43:05 [post_content] => (1949, DCP, 70m, French w/English subtitles) w/Tati, Guy Declombe, Paul Frankeur. The postman of a small French town (Tati) sees a short film that fools him into thinking that all postmen in America do dangerous stunts to deliver the mail. Tati’s first film is a joy to behold. 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With its spare dialogue and gentle satire of politics and commercialism, this movie established Tati’s style. 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The first Hulot film follows the charming buffoon to a seaside resort, where he unintentionally sows chaos among the vacationers. With its spare dialogue and gentle satire of politics and commercialism, this movie established Tati’s style. 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With its spare dialogue and gentle satire of politics and commercialism, this movie established Tati’s style. FRI 7:00 SAT 8:30 SUN 3:00 5:00 MON/TUES 7:00 [post_title] => MONSIEUR HULOT’S HOLIDAY [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => monsieur-hulots-holiday-2021-05-16-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 22:02:43 [post_modified_gmt] => 2021-03-20 03:02:43 [post_content_filtered] => [post_parent] => 63684 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-16&eventSequence=2#038;p=63684 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71944 [post_author] => 3 [post_date] => 2021-02-07 18:43:05 [post_date_gmt] => 2021-02-08 00:43:05 [post_content] => (1949, DCP, 70m, French w/English subtitles) w/Tati, Guy Declombe, Paul Frankeur. The postman of a small French town (Tati) sees a short film that fools him into thinking that all postmen in America do dangerous stunts to deliver the mail. Tati’s first film is a joy to behold. 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The postman of a small French town (Tati) sees a short film that fools him into thinking that all postmen in America do dangerous stunts to deliver the mail. Tati’s first film is a joy to behold. 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The first Hulot film follows the charming buffoon to a seaside resort, where he unintentionally sows chaos among the vacationers. With its spare dialogue and gentle satire of politics and commercialism, this movie established Tati’s style. 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The first Hulot film follows the charming buffoon to a seaside resort, where he unintentionally sows chaos among the vacationers. With its spare dialogue and gentle satire of politics and commercialism, this movie established Tati’s style. 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Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Monsieur Hulot is an auto designer who travels to Amsterdam for a car show. But various obstacles delay his arrival. Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). FRI/SAT 7:00 9:00 SUN 3:00 5:00 7:00 MON/TUE 7:00 [post_title] => TRAFIC [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => trafic-2021-05-23-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 22:18:28 [post_modified_gmt] => 2021-03-20 03:18:28 [post_content_filtered] => [post_parent] => 63811 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-23&eventSequence=2#038;p=63811 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71958 [post_author] => 3 [post_date] => 2020-02-14 19:32:52 [post_date_gmt] => 2020-02-15 01:32:52 [post_content] => (1971, DCP, 97m, French w/English subtitles) w/Tati. Monsieur Hulot is an auto designer who travels to Amsterdam for a car show. But various obstacles delay his arrival. Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Monsieur Hulot is an auto designer who travels to Amsterdam for a car show. But various obstacles delay his arrival. Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). FRI/SAT 7:00 9:00 SUN 3:00 5:00 7:00 MON/TUE 7:00 [post_title] => TRAFIC [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => trafic-2021-05-23-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 22:18:28 [post_modified_gmt] => 2021-03-20 03:18:28 [post_content_filtered] => [post_parent] => 63811 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-23&eventSequence=2#038;p=63811 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71958 [post_author] => 3 [post_date] => 2020-02-14 19:32:52 [post_date_gmt] => 2020-02-15 01:32:52 [post_content] => (1971, DCP, 97m, French w/English subtitles) w/Tati. Monsieur Hulot is an auto designer who travels to Amsterdam for a car show. But various obstacles delay his arrival. Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Monsieur Hulot is an auto designer who travels to Amsterdam for a car show. But various obstacles delay his arrival. Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). FRI/SAT 7:00 9:00 SUN 3:00 5:00 7:00 MON/TUE 7:00 [post_title] => TRAFIC [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => trafic-2021-05-23 [to_ping] => [pinged] => [post_modified] => 2021-03-19 22:18:27 [post_modified_gmt] => 2021-03-20 03:18:27 [post_content_filtered] => [post_parent] => 63811 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-23#038;p=63811 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 71957 [post_author] => 3 [post_date] => 2020-02-14 19:32:52 [post_date_gmt] => 2020-02-15 01:32:52 [post_content] => (1971, DCP, 97m, French w/English subtitles) w/Tati. Monsieur Hulot is an auto designer who travels to Amsterdam for a car show. But various obstacles delay his arrival. Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). FRI/SAT 7:00 9:00 SUN 3:00 5:00 7:00 MON/TUE 7:00 [post_title] => TRAFIC [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => trafic-2021-05-23-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 22:18:28 [post_modified_gmt] => 2021-03-20 03:18:28 [post_content_filtered] => [post_parent] => 63811 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-23&eventSequence=2#038;p=63811 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71958 [post_author] => 3 [post_date] => 2020-02-14 19:32:52 [post_date_gmt] => 2020-02-15 01:32:52 [post_content] => (1971, DCP, 97m, French w/English subtitles) w/Tati. Monsieur Hulot is an auto designer who travels to Amsterdam for a car show. But various obstacles delay his arrival. Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Monsieur Hulot is an auto designer who travels to Amsterdam for a car show. But various obstacles delay his arrival. Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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w/Tati. Monsieur Hulot is an auto designer who travels to Amsterdam for a car show. But various obstacles delay his arrival. Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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Tati’s critique of materialism feels more pointed today than ever, and his meticulous stylistic control is astounding (especially in the key car-accident scene). 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All the key elements of Lynch’s earlier work coalesce in this dark, winding Hollywood tale. 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[post_content] => (1967, 35mm, 124m, French w/English subtitles) w/Tati. Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. FRI/SAT 7:00 9:30 SUN 3:00 5:30 8:00 MON/TUE 7:00 [post_title] => PLAYTIME [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => playtime [to_ping] => [pinged] => [post_modified] => 2021-03-19 23:22:26 [post_modified_gmt] => 2021-03-20 04:22:26 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=63829 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 71966 [post_author] => 3 [post_date] => 2020-02-14 19:30:25 [post_date_gmt] => 2020-02-15 01:30:25 [post_content] => (1967, 35mm, 124m, French w/English subtitles) w/Tati. Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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35mm, 124m, French w/English subtitles) w/Tati. Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. FRI/SAT 7:00 9:30 SUN 3:00 5:30 8:00 MON/TUE 7:00 [post_title] => PLAYTIME [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => playtime [to_ping] => [pinged] => [post_modified] => 2021-03-19 23:22:26 [post_modified_gmt] => 2021-03-20 04:22:26 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=63829 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 71966 [post_author] => 3 [post_date] => 2020-02-14 19:30:25 [post_date_gmt] => 2020-02-15 01:30:25 [post_content] => (1967, 35mm, 124m, French w/English subtitles) w/Tati. Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. FRI/SAT 7:00 9:30 SUN 3:00 5:30 8:00 MON/TUE 7:00 [post_title] => PLAYTIME [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => playtime-2021-05-28 [to_ping] => [pinged] => [post_modified] => 2021-03-19 23:22:28 [post_modified_gmt] => 2021-03-20 04:22:28 [post_content_filtered] => [post_parent] => 63829 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-28&eventSequence=2#038;p=63829 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 2 [current_post] => 1 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 71966 [post_author] => 3 [post_date] => 2020-02-14 19:30:25 [post_date_gmt] => 2020-02-15 01:30:25 [post_content] => (1967, 35mm, 124m, French w/English subtitles) w/Tati. Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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[post_content] => (1967, 35mm, 124m, French w/English subtitles) w/Tati. Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. FRI/SAT 7:00 9:30 SUN 3:00 5:30 8:00 MON/TUE 7:00 [post_title] => PLAYTIME [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => playtime-2021-05-30-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 23:22:34 [post_modified_gmt] => 2021-03-20 04:22:34 [post_content_filtered] => [post_parent] => 63829 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-30&eventSequence=2#038;p=63829 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71971 [post_author] => 3 [post_date] => 2020-02-14 19:30:25 [post_date_gmt] => 2020-02-15 01:30:25 [post_content] => (1967, 35mm, 124m, French w/English subtitles) w/Tati. Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. FRI/SAT 7:00 9:30 SUN 3:00 5:30 8:00 MON/TUE 7:00 [post_title] => PLAYTIME [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => playtime-2021-05-30-2 [to_ping] => [pinged] => [post_modified] => 2021-03-19 23:22:34 [post_modified_gmt] => 2021-03-20 04:22:34 [post_content_filtered] => [post_parent] => 63829 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-05-30&eventSequence=2#038;p=63829 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71971 [post_author] => 3 [post_date] => 2020-02-14 19:30:25 [post_date_gmt] => 2020-02-15 01:30:25 [post_content] => (1967, 35mm, 124m, French w/English subtitles) w/Tati. Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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w/Tati. Playtime finds Hulot going adrift in a stark, absurd modern Paris, which is filled with newfangled technologies. Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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Commonly seen as Tati’s masterpiece, the movie uses deep focus, composition and sound design in revolutionary ways to convey jokes and ideas. 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