
Events for March 2021
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Events for March 2021
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In production when Lee died, Game was finished with other actors as stand-ins. Largely considered the first “Brucesploitation” film, it is a fascinating watch. The last act is exceptional kung-fu filmmaking. 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Largely considered the first “Brucesploitation” film, it is a fascinating watch. The last act is exceptional kung-fu filmmaking. 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dir Robert Clouse w/Biao Yuen, Bolo Yeung, Kareem Abdul-Jabbar. In production when Lee died, Game was finished with other actors as stand-ins. Largely considered the first “Brucesploitation” film, it is a fascinating watch. The last act is exceptional kung-fu filmmaking. 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Largely considered the first “Brucesploitation” film, it is a fascinating watch. The last act is exceptional kung-fu filmmaking. 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dir Fritz Lang w/Ray Milland, Marjorie Reynolds, Carl Esmond. Stephen Neale (Milland) steps out of an asylum and into a web of espionage and deceit in this adaptation of the Graham Greene novel. Lang’s bizarre set pieces create a mad world wherein a charity carnival could hold the secret to a murderous spy ring. $12 7:30 [post_title] => MINISTRY OF FEAR [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => ministry-of-fear [to_ping] => [pinged] => [post_modified] => 2021-01-08 14:44:54 [post_modified_gmt] => 2021-01-08 20:44:54 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=71056 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 71056 [post_author] => 3 [post_date] => 2020-12-17 19:37:21 [post_date_gmt] => 2020-12-18 01:37:21 [post_content] => (1944, 35mm, 86m) dir Fritz Lang w/Ray Milland, Marjorie Reynolds, Carl Esmond. Stephen Neale (Milland) steps out of an asylum and into a web of espionage and deceit in this adaptation of the Graham Greene novel. 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When his past comes to haunt him, the bodies and his own madness pile up. Okamoto’s masterful film is a hallmark of the genre. These screenings are presented in partnership with the Cult Film Collective. 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Okamoto’s masterful film is a hallmark of the genre. These screenings are presented in partnership with the Cult Film Collective. 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Japanese w/English subtitles) dir Kihachi Okamoto w/Tatsuya Nakadai, Michiyo Aratama, Yûzô Kayama. Ryunosuke (Nakadai) is a brutal assassin samurai. When his past comes to haunt him, the bodies and his own madness pile up. Okamoto’s masterful film is a hallmark of the genre. These screenings are presented in partnership with the Cult Film Collective. 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When his past comes to haunt him, the bodies and his own madness pile up. Okamoto’s masterful film is a hallmark of the genre. These screenings are presented in partnership with the Cult Film Collective. 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A group of time-travelling dwarves accidentally enter the room of a young boy and take him on their adventures. Hilarious, exciting, and wildly creative, Time Bandits is a treasure. 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A group of time-travelling dwarves accidentally enter the room of a young boy and take him on their adventures. Hilarious, exciting, and wildly creative, Time Bandits is a treasure. 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Hilarious, exciting, and wildly creative, Time Bandits is a treasure. 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A group of time-travelling dwarves accidentally enter the room of a young boy and take him on their adventures. Hilarious, exciting, and wildly creative, Time Bandits is a treasure. 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Hilarious, exciting, and wildly creative, Time Bandits is a treasure. 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Hilarious, exciting, and wildly creative, Time Bandits is a treasure. 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[post_date_gmt] => 2020-02-11 04:06:13 [post_content] => (1980, 35mm, 102m) w/Al Pacino, Paul Sorvino, Karen Allen. Police detective Steve Burns (Pacino) goes undercover to hunt a serial killer who’s targeting gay men in New York’s S&M and leather scenes. This thriller, with its great punk rock score, was lambasted upon release but is finally getting another look. FRI 7:00 SAT 9:30 SUN 3:00 5:15 MON 7:00 TUE 9:30 [post_title] => CRUISING [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => cruising [to_ping] => [pinged] => [post_modified] => 2021-02-05 20:00:36 [post_modified_gmt] => 2021-02-06 02:00:36 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=63571 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 63583 [post_author] => 3 [post_date] => 2020-02-10 22:05:30 [post_date_gmt] => 2020-02-11 04:05:30 [post_content] => (1985, 35mm, 116m) w/Willem Dafoe, William Petersen, Debra Feuer. After a Secret Service agent’s partner is murdered, he will stop at nothing to get revenge. To Live is Friedkin’s response to what he saw as the predictability of early 1980s films. 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Police detective Steve Burns (Pacino) goes undercover to hunt a serial killer who’s targeting gay men in New York’s S&M and leather scenes. This thriller, with its great punk rock score, was lambasted upon release but is finally getting another look. 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William Petersen, Debra Feuer. After a Secret Service agent’s partner is murdered, he will stop at nothing to get revenge. To Live is Friedkin’s response to what he saw as the predictability of early 1980s films. It comes complete with an attempt to top his own car chase in The French Connection. FRI 9:15 SAT 7:00 SUN 7:30 MON 9:15 TUE 7:00 [post_title] => TO LIVE AND DIE IN L.A. 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This thriller, with its great punk rock score, was lambasted upon release but is finally getting another look. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. FRI/SAT 7:00 9:30 SUN 3:00 5:30 7:45 MON/TUE 7:00 [post_title] => DAMNATION [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => damnation [to_ping] => [pinged] => [post_modified] => 2021-02-05 20:27:02 [post_modified_gmt] => 2021-02-06 02:27:02 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=71757 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 71769 [post_author] => 3 [post_date] => 2021-02-05 20:27:02 [post_date_gmt] => 2021-02-06 02:27:02 [post_content] => (1988, DCP, 120m, Hungarian w/English subtitles) dir Béla Tarr w/Miklós Székely B., Vali Kerekes. Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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[post_content] => (1988, DCP, 120m, Hungarian w/English subtitles) dir Béla Tarr w/Miklós Székely B., Vali Kerekes. Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Impeccable, bleak, and deliberate, Damnation is pure cinema. FRI/SAT 7:00 9:30 SUN 3:00 5:30 7:45 MON/TUE 7:00 [post_title] => DAMNATION [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => damnation-2021-03-27-2 [to_ping] => [pinged] => [post_modified] => 2021-02-05 20:27:02 [post_modified_gmt] => 2021-02-06 02:27:02 [post_content_filtered] => [post_parent] => 71757 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-03-27&eventSequence=2#038;p=71757 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 2 [current_post] => 1 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 71771 [post_author] => 3 [post_date] => 2021-02-05 20:27:02 [post_date_gmt] => 2021-02-06 02:27:02 [post_content] => (1988, DCP, 120m, Hungarian w/English subtitles) dir Béla Tarr w/Miklós Székely B., Vali Kerekes. Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Impeccable, bleak, and deliberate, Damnation is pure cinema. FRI/SAT 7:00 9:30 SUN 3:00 5:30 7:45 MON/TUE 7:00 [post_title] => DAMNATION [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => damnation-2021-03-28-2 [to_ping] => [pinged] => [post_modified] => 2021-02-05 20:27:02 [post_modified_gmt] => 2021-02-06 02:27:02 [post_content_filtered] => [post_parent] => 71757 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-03-28&eventSequence=2#038;p=71757 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71774 [post_author] => 3 [post_date] => 2021-02-05 20:27:02 [post_date_gmt] => 2021-02-06 02:27:02 [post_content] => (1988, DCP, 120m, Hungarian w/English subtitles) dir Béla Tarr w/Miklós Székely B., Vali Kerekes. Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Impeccable, bleak, and deliberate, Damnation is pure cinema. FRI/SAT 7:00 9:30 SUN 3:00 5:30 7:45 MON/TUE 7:00 [post_title] => DAMNATION [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => damnation-2021-03-28-2 [to_ping] => [pinged] => [post_modified] => 2021-02-05 20:27:02 [post_modified_gmt] => 2021-02-06 02:27:02 [post_content_filtered] => [post_parent] => 71757 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-03-28&eventSequence=2#038;p=71757 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71774 [post_author] => 3 [post_date] => 2021-02-05 20:27:02 [post_date_gmt] => 2021-02-06 02:27:02 [post_content] => (1988, DCP, 120m, Hungarian w/English subtitles) dir Béla Tarr w/Miklós Székely B., Vali Kerekes. Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Impeccable, bleak, and deliberate, Damnation is pure cinema. FRI/SAT 7:00 9:30 SUN 3:00 5:30 7:45 MON/TUE 7:00 [post_title] => DAMNATION [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => damnation-2021-03-28-2 [to_ping] => [pinged] => [post_modified] => 2021-02-05 20:27:02 [post_modified_gmt] => 2021-02-06 02:27:02 [post_content_filtered] => [post_parent] => 71757 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-03-28&eventSequence=2#038;p=71757 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [2] => WP_Post Object ( [ID] => 71774 [post_author] => 3 [post_date] => 2021-02-05 20:27:02 [post_date_gmt] => 2021-02-06 02:27:02 [post_content] => (1988, DCP, 120m, Hungarian w/English subtitles) dir Béla Tarr w/Miklós Székely B., Vali Kerekes. Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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subtitles) dir Béla Tarr w/Miklós Székely B., Vali Kerekes. Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. FRI/SAT 7:00 9:30 SUN 3:00 5:30 7:45 MON/TUE 7:00 [post_title] => DAMNATION [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => damnation-2021-03-30 [to_ping] => [pinged] => [post_modified] => 2021-02-05 20:27:02 [post_modified_gmt] => 2021-02-06 02:27:02 [post_content_filtered] => [post_parent] => 71757 [guid] => https://www.trylon.org/?post_type=tribe_events&eventDate=2021-03-30#038;p=71757 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 1 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 71776 [post_author] => 3 [post_date] => 2021-02-05 20:27:02 [post_date_gmt] => 2021-02-06 02:27:02 [post_content] => (1988, DCP, 120m, Hungarian w/English subtitles) dir Béla Tarr w/Miklós Székely B., Vali Kerekes. Bela Tarr’s first triumph follows Karrer (Szekely), as he broods and attempts to win over the lounge singer (Kerekes) at the Titanik Bar. Impeccable, bleak, and deliberate, Damnation is pure cinema. 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Hong Kong, 1962: Chow Mo-wan (Leung) and Su Li-zhen (Cheung) move into adjacent apartments on the same day, only to discover their spouses are having an affair. Deliriously beautiful and full of longing, Mood is a nearly perfect film. FRI 7:00 SAT 9:30 SUN 3:00 5:00 MON/TUE 7:00 [post_title] => IN THE MOOD FOR LOVE [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => in-the-mood-for-love [to_ping] => [pinged] => [post_modified] => 2021-02-08 18:12:37 [post_modified_gmt] => 2021-02-09 00:12:37 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=70826 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) [1] => WP_Post Object ( [ID] => 71809 [post_author] => 3 [post_date] => 2021-02-08 18:13:23 [post_date_gmt] => 2021-02-09 00:13:23 [post_content] => (2004, 35mm, 129m, Cantonese w/ English subtitles) w/Tony Leung, Maggie Ziyi Zhang, Faye Wong, Li Gong. This spiritual successor to In the Mood for Love, set in 1960s Hong Kong and Singapore, follows sci-fi writer Zhou Mo Wan (Leung) as he hopes to recapture a love that he left behind. Using three colors almost exclusively and shifting across time, Director Wong’s exceptional film is expertly controlled. FRI 9:00 SAT/SUN 7:00 [post_title] => 2046 [post_excerpt] => [post_status] => publish [comment_status] => closed [ping_status] => closed [post_password] => [post_name] => 2046 [to_ping] => [pinged] => [post_modified] => 2021-02-08 18:21:30 [post_modified_gmt] => 2021-02-09 00:21:30 [post_content_filtered] => [post_parent] => 0 [guid] => https://www.trylon.org/?post_type=tribe_events&p=71809 [menu_order] => 0 [post_type] => tribe_events [post_mime_type] => [comment_count] => 0 [filter] => raw ) ) [post_count] => 2 [current_post] => 0 [in_the_loop] => 1 [post] => WP_Post Object ( [ID] => 70826 [post_author] => 3 [post_date] => 2020-12-05 17:21:53 [post_date_gmt] => 2020-12-05 23:21:53 [post_content] => (2000, DCP, 98m, Cantonese w/ English subtitles) w/Tony Leung, Maggie Cheung. Hong Kong, 1962: Chow Mo-wan (Leung) and Su Li-zhen (Cheung) move into adjacent apartments on the same day, only to discover their spouses are having an affair. Deliriously beautiful and full of longing, Mood is a nearly perfect film. 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Hong Kong, 1962: Chow Mo-wan (Leung) and Su Li-zhen (Cheung) move into adjacent apartments on the same day, only to discover their spouses are having an affair. Deliriously beautiful and full of longing, Mood is a nearly perfect film. 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Hong Kong, 1962: Chow Mo-wan (Leung) and Su Li-zhen (Cheung) move into adjacent apartments on the same day, only to discover their spouses are having an affair. Deliriously beautiful and full of longing, Mood is a nearly perfect film. 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This spiritual successor to In the Mood for Love, set in 1960s Hong Kong and Singapore, follows sci-fi writer Zhou Mo Wan (Leung) as he hopes to recapture a love that he left behind. Using three colors almost exclusively and shifting across time, Director Wong’s exceptional film is expertly controlled. 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This spiritual successor to In the Mood for Love, set in 1960s Hong Kong and Singapore, follows sci-fi writer Zhou Mo Wan (Leung) as he hopes to recapture a love that he left behind. Using three colors almost exclusively and shifting across time, Director Wong’s exceptional film is expertly controlled. 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Deliriously beautiful and full of longing, Mood is a nearly perfect film. 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