Events for November 2019
Events Search and Views Navigation
Events for November 2019
Calendar of Events
| Monday | Tuesday | Wednesday | Thursday | Friday | Saturday | Sunday |
|---|---|---|---|---|---|---|
| 28 WP_Query Object
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[post_content] => (1978, DCP, 94m) dir Joe Dante, animated by Phil Tippett w/Bradford Dillman, Heather Menzies-Urich, Kevin McCarthy. Two misfits accidentally unleash the flesh-eating specimens of a defunct military program, Operation: Razorteeth, at a popular river resort. In a race against time, and fish, they rush to undo their deadly blunder.
SUN 3:00 MON/TUES 7:00 9:00
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[post_content] => (1978, DCP, 94m) dir Joe Dante, animated by Phil Tippett w/Bradford Dillman, Heather Menzies-Urich, Kevin McCarthy. Two misfits accidentally unleash the flesh-eating specimens of a defunct military program, Operation: Razorteeth, at a popular river resort. In a race against time, and fish, they rush to undo their deadly blunder.
SUN 3:00 MON/TUES 7:00 9:00
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SUN 3:00 MON/TUES 7:00 9:00
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[post_content] => (1978, DCP, 94m) dir Joe Dante, animated by Phil Tippett w/Bradford Dillman, Heather Menzies-Urich, Kevin McCarthy. Two misfits accidentally unleash the flesh-eating specimens of a defunct military program, Operation: Razorteeth, at a popular river resort. In a race against time, and fish, they rush to undo their deadly blunder.
SUN 3:00 MON/TUES 7:00 9:00
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SUN 3:00 MON/TUES 7:00 9:00
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7:00 9:00
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7:00 9:00
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7:00 9:00
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7:00 9:00
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7:00 9:00
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7:00 9:00
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7:00 9:00
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7:00 9:00
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7:00 9:00
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7:00 9:00
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7:00 9:00
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FRI/SAT 7:00 9:00 SUN 3:00 5:00
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FRI/SAT 7:00 9:00 SUN 3:00 5:00
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FRI/SAT 7:00 9:00 SUN 3:00 5:00
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SUN 7:00 MON/TUES 7:00 8:45
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After doing time, Billy Brown finds a place to belong in his home town when Layla taps into his life, spanning time.
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After doing time, Billy Brown finds a place to belong in his home town when Layla taps into his life, spanning time.
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[post_content] => The best-of-the-best from the groundbreaking annual GLAS Animation Festival in Berkeley, CA. Showcasing seven bold new shorts from the newest generation to redefine what’s possible in the medium, ANIMATION NEXT takes you on a prismatic journey ranging from subterranean nightmares to sun-soaked coming of age stories — each exploring themes that most grip the modern world.
I’m Going Out for Cigarettes by Osman Cerfon (France)
Bloeistraat 11 by Nienke Deutz (Netherlands)
Fest by Nikita Diakur (Germany)
The Night of the Plastic Bags by Gabriel Harel (France)
Slug Life by Sophie Koko Gate (UK)
Clemence’s Afternoon by Lénaïg Le Moigne (France)
Acid Rain by Tomek Popakul (Poland)
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SUN 6:30 MON/TUES 7:00 8:45
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SUN 6:30 MON/TUES 7:00 8:45
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[post_content] => (2019, DCP, 94m) dir Midge Costin. Making Waves: The Art of Cinematic Sound reveals the hidden power of sound in cinema – and the unsung heroes whose creative breakthroughs have impacted the most beloved, classic films. Through film clips, interviews and archival footage, this documentary captures the history, impact and process of this overlooked art form. Featuring the insights and stories of iconic directors such as George Lucas, Steven Spielberg, David Lynch, Barbra Streisand, Ang Lee, Sofia Coppola and Ryan Coogler, working with sound design pioneers – Walter Murch, Ben Burtt and Gary Rydstrom – and the many women and men who followed in their footsteps.
7:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => MAKING WAVES: THE ART OF CINEMATIC SOUND
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[post_content] => (2019, DCP, 85m) dir Puloma Basu & Rob Hatch-Miller. Other Music was an influential and uncompromising New York City record store that was vital to the city's early 2000s indie music scene. But when the store is forced to close its doors due to rent increases, the homogenization of urban culture, and the shift from CDs to downloadable and streaming music, a cultural landmark is lost. Through vibrant storytelling, the documentary captures the record store's vital role in the musical and cultural life of the city, and highlights the artists whose careers it helped launch including Vampire Weekend, Animal Collective, Interpol, Yeah Yeah Yeahs, William Basinski, Neutral Milk Hotel, Sharon Van Etten, Yo La Tengo and TV on the Radio.
Preceded by: Orbit (2019, DCP, 7 m), dir Tess Martin. Spinning drawings guide us along the flow of energy through our planet, and let us ponder our place in the natural cycle.
9:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 94m) dir Midge Costin. Making Waves: The Art of Cinematic Sound reveals the hidden power of sound in cinema – and the unsung heroes whose creative breakthroughs have impacted the most beloved, classic films. Through film clips, interviews and archival footage, this documentary captures the history, impact and process of this overlooked art form. Featuring the insights and stories of iconic directors such as George Lucas, Steven Spielberg, David Lynch, Barbra Streisand, Ang Lee, Sofia Coppola and Ryan Coogler, working with sound design pioneers – Walter Murch, Ben Burtt and Gary Rydstrom – and the many women and men who followed in their footsteps.
7:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 85m) dir Puloma Basu & Rob Hatch-Miller. Other Music was an influential and uncompromising New York City record store that was vital to the city's early 2000s indie music scene. But when the store is forced to close its doors due to rent increases, the homogenization of urban culture, and the shift from CDs to downloadable and streaming music, a cultural landmark is lost. Through vibrant storytelling, the documentary captures the record store's vital role in the musical and cultural life of the city, and highlights the artists whose careers it helped launch including Vampire Weekend, Animal Collective, Interpol, Yeah Yeah Yeahs, William Basinski, Neutral Milk Hotel, Sharon Van Etten, Yo La Tengo and TV on the Radio.
Preceded by: Orbit (2019, DCP, 7 m), dir Tess Martin. Spinning drawings guide us along the flow of energy through our planet, and let us ponder our place in the natural cycle.
9:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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Preceded by: Orbit (2019, DCP, 7 m), dir Tess Martin. Spinning drawings guide us along the flow of energy through our planet, and let us ponder our place in the natural cycle.
9:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 61m) dir Brent Hodge. Who Let the Dogs Out is a song that has transcended generations, and has led Ben Sisto to dedicate eight years exploring and exposing a story steeped in show business, legal battles, female empowerment, artistic integrity and one very catchy hook. This documentary follows Sisto on his popular live talks across North America that explain the story of Who Let The Dogs Out accompanied by a museum of over 250 pieces of ephemera relating to the song and its origins. Sisto’s thesis to his life’s work: the idea that everything is based on prior art, and everything is source material for future art. It’s from this mantra that the dogs were let out…and we are here to explore who did it.
Preceded by: A Beautiful Mess (2019, DCP, 26m) dir Matt Marlinskin. A Beautiful Mess is a short documentary detailing the journey of iamchelseaiam completing her first in studio EP. What initially started out as a project about a break up evolved in to a journey of loss, pain and resilience.
7:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => WHO LET THE DOGS OUT + A BEAUTIFUL MESS
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[post_content] => (2019, DCP, 108m) dir Eric Mahoney. In the mid 90's, the Dayton, OH music scene became a hot spot generating world wide buzz from the influential indie rock being produced there (The Breeders, Guided by Voices). Arguably the most innovative of them all was the band Brainiac, led by musical genius and insanely charismatic frontman Tim Taylor. The band was opening for Beck and being courted by major labels when Tim was tragically killed in a bizarre auto accident leaving his family and bandmates to pick up the pieces. This film explores the band's music, legacy, massive influence on pop culture and how people survive and cope with the loss of loved ones.
9:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => BRAINIAC: TRANSMISSIONS FROM ZERO
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7:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 61m) dir Brent Hodge. Who Let the Dogs Out is a song that has transcended generations, and has led Ben Sisto to dedicate eight years exploring and exposing a story steeped in show business, legal battles, female empowerment, artistic integrity and one very catchy hook. This documentary follows Sisto on his popular live talks across North America that explain the story of Who Let The Dogs Out accompanied by a museum of over 250 pieces of ephemera relating to the song and its origins. Sisto’s thesis to his life’s work: the idea that everything is based on prior art, and everything is source material for future art. It’s from this mantra that the dogs were let out…and we are here to explore who did it.
Preceded by: A Beautiful Mess (2019, DCP, 26m) dir Matt Marlinskin. A Beautiful Mess is a short documentary detailing the journey of iamchelseaiam completing her first in studio EP. What initially started out as a project about a break up evolved in to a journey of loss, pain and resilience.
7:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 108m) dir Eric Mahoney. In the mid 90's, the Dayton, OH music scene became a hot spot generating world wide buzz from the influential indie rock being produced there (The Breeders, Guided by Voices). Arguably the most innovative of them all was the band Brainiac, led by musical genius and insanely charismatic frontman Tim Taylor. The band was opening for Beck and being courted by major labels when Tim was tragically killed in a bizarre auto accident leaving his family and bandmates to pick up the pieces. This film explores the band's music, legacy, massive influence on pop culture and how people survive and cope with the loss of loved ones.
9:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => BRAINIAC: TRANSMISSIONS FROM ZERO
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[post_content] => (2019, DCP, 108m) dir Eric Mahoney. In the mid 90's, the Dayton, OH music scene became a hot spot generating world wide buzz from the influential indie rock being produced there (The Breeders, Guided by Voices). Arguably the most innovative of them all was the band Brainiac, led by musical genius and insanely charismatic frontman Tim Taylor. The band was opening for Beck and being courted by major labels when Tim was tragically killed in a bizarre auto accident leaving his family and bandmates to pick up the pieces. This film explores the band's music, legacy, massive influence on pop culture and how people survive and cope with the loss of loved ones.
9:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2018, HD, 111m) dir Ondi Timoner. This stylish and well-crafted biopic covers the full life of its subject, world renowned and controversial photographer Robert Mapplethorpe, most frequently providing an alluring view of New York in its grittiest era. The film stars Matt Smith and is directed by the only two-time Sundance Grand Jury Prize winner, Ondi Timoner.
Timoner’s version of “MAPPLETHORPE” was selected for Sundance 2018 but was removed before its premiere and edited to omit elements related to the photographer’s childhood, his erotically-tinged fascination with Catholicism, and other aspects of his artistic development. It premiered at Tribeca in 2018 and was theatrically released by Samuel Goldwyn earlier this year. Although the abridged version won eight Audience Awards at various festivals, it was received with mixed to negative reviews by critics. “MAPPLETHORPE The Director's Cut” offers Timoner's original, complete and resonant vision.
Director Ondi Timoner will be present and a Q & A will follow the screening.
7:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => MAPPLETHORPE: DIRECTOR’S CUT
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[post_content] => (2019, DCP, 102m) dir Danny Clinch, Taryn Gould, Colleen Hennessy, Shannon Hoon. Shannon Hoon, lead singer of the rock band Blind Melon, filmed himself from 1990-95 with a Hi8 video camera, recording up until a few hours before his sudden death at the age of 28. His camera was a diary and his closest confidant. In the hundreds of hours of footage, Hoon meticulously documented his life - his family, his creative process, his television, his band’s rise to fame and his struggle with addiction. He filmed his daughter's birth, and archived the politics and culture of the 90’s, an era right before the internet changed the world. Created with his own footage, voice and music, this intimate autobiography is a prescient exploration of experience and memory in the age of video. It is also Shannon Hoon's last work, completed 23 years after his death.
Co-Director Taryn Gould will be present and a Q & A will follow the screening.
9:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => ALL I CAN SAY (SOLD OUT!)
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Director Ondi Timoner will be present and a Q & A will follow the screening.
7:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2018, HD, 111m) dir Ondi Timoner. This stylish and well-crafted biopic covers the full life of its subject, world renowned and controversial photographer Robert Mapplethorpe, most frequently providing an alluring view of New York in its grittiest era. The film stars Matt Smith and is directed by the only two-time Sundance Grand Jury Prize winner, Ondi Timoner.
Timoner’s version of “MAPPLETHORPE” was selected for Sundance 2018 but was removed before its premiere and edited to omit elements related to the photographer’s childhood, his erotically-tinged fascination with Catholicism, and other aspects of his artistic development. It premiered at Tribeca in 2018 and was theatrically released by Samuel Goldwyn earlier this year. Although the abridged version won eight Audience Awards at various festivals, it was received with mixed to negative reviews by critics. “MAPPLETHORPE The Director's Cut” offers Timoner's original, complete and resonant vision.
Director Ondi Timoner will be present and a Q & A will follow the screening.
7:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => MAPPLETHORPE: DIRECTOR’S CUT
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[post_content] => (2019, DCP, 102m) dir Danny Clinch, Taryn Gould, Colleen Hennessy, Shannon Hoon. Shannon Hoon, lead singer of the rock band Blind Melon, filmed himself from 1990-95 with a Hi8 video camera, recording up until a few hours before his sudden death at the age of 28. His camera was a diary and his closest confidant. In the hundreds of hours of footage, Hoon meticulously documented his life - his family, his creative process, his television, his band’s rise to fame and his struggle with addiction. He filmed his daughter's birth, and archived the politics and culture of the 90’s, an era right before the internet changed the world. Created with his own footage, voice and music, this intimate autobiography is a prescient exploration of experience and memory in the age of video. It is also Shannon Hoon's last work, completed 23 years after his death.
Co-Director Taryn Gould will be present and a Q & A will follow the screening.
9:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => ALL I CAN SAY (SOLD OUT!)
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[post_content] => (2019, DCP, 102m) dir Danny Clinch, Taryn Gould, Colleen Hennessy, Shannon Hoon. Shannon Hoon, lead singer of the rock band Blind Melon, filmed himself from 1990-95 with a Hi8 video camera, recording up until a few hours before his sudden death at the age of 28. His camera was a diary and his closest confidant. In the hundreds of hours of footage, Hoon meticulously documented his life - his family, his creative process, his television, his band’s rise to fame and his struggle with addiction. He filmed his daughter's birth, and archived the politics and culture of the 90’s, an era right before the internet changed the world. Created with his own footage, voice and music, this intimate autobiography is a prescient exploration of experience and memory in the age of video. It is also Shannon Hoon's last work, completed 23 years after his death.
Co-Director Taryn Gould will be present and a Q & A will follow the screening.
9:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 67m) dir Todd Tue. When It Breaks is the inspiring story of Special Education teacher Konrad Wert (aka Possessed by Paul James) and his personal journey to avoid becoming another victim of teacher burnout. Stepping away from the classroom, Wert turns to his musical side career as a means to tour the country with his family and engage teachers, parents, and audiences in a conversation about the current state of Special Education. As opportunities arise, Konrad must decide how his service is most effective- as an advocating artist or as a teacher in the classroom.
Preceded by: Hiraeth EP Film (2018, DCP, 21m) dir Joel Porter. Joel Porter's sophomore album Hiraeth EP became a project that led him to places of homesickness tinged with grief. And in a response to this newfound awareness, Joel crafted an ode to the places he remembered so vividly, but could not touch.
Director Todd Tue will be present and a Q & A will follow the screening.
3:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => WHEN IT BREAKS + HIRAETH EP FILM
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[post_content] => (2019, DCP, 88m) dir Barbara Bentree. Dave Grusin: Not Enough Time is an award-winning, "elegant and uplifting" feature-length documentary about one of the 20th Century's most important music composers. His music is known and loved all over the world but even his most ardent fans don't completely realize what a phenomenal career he has had. Grusin has been described as "flawless" by his peers - amazing when you consider that he had five simultaneous careers; Composer, Pianist, Arranger, Performer and Record Company Executive. He led a completely bi-coastal life for decades flying weekly between LA and NY to work with an astounding list of music and film artists. Industry icons called on Dave when they needed something extraordinary; Barbra Streisand, Steven Spielberg, Quincy Jones, Norman Lear, Sydney Pollack, Warren Beatty, James Taylor, Paul Simon and more. Grusin's most enduring legacy may live on in his beloved melodies and arrangements for film. The themes for films like On Golden Pond, The Firm, The Fabulous Baker Boys, Havana, Tootsie, Heaven Can Wait, and 3 Days of the Condor are written about in textbooks and revered by new and veteran composers around the world.
Director Barbara Bentree will be present and a Q & A will follow the screening.
5:30 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 78m) dir Kenny Dalsheimer. You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.
8:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => YOU GAVE ME A SONG: THE LIFE & MUSIC OF ALICE GERRARD
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[post_content] => (2019, DCP, 101m) dir Brian Welsh. In the mid-1990s, the United Kingdom was overrun by raves: illegal parties with heavy beats and an endless supply of drugs. The Criminal Justice Bill introduced by the government in 1994 criminalized ‘gathering around repetitive beats’. This led to massive protests and even more raves. Against that background, Beats showcases the unlikely friendship; between teens Spanner and Johnno in a Scottish town. The first is living with his criminal brother, the other is facing a move to a new town with his family and his potential new stepfather, who happens to be a cop. On their last night out, the two friends steal cash from Spanner's brother and journey into an underworld of anarchy, freedom and collision with the forces of law and order. This universal story of friendship, rebellion and the irresistible power of gathered youth, is set to a soundtrack as eclectic and electrifying as the scene it gave birth to.
9:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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Preceded by: Hiraeth EP Film (2018, DCP, 21m) dir Joel Porter. Joel Porter's sophomore album Hiraeth EP became a project that led him to places of homesickness tinged with grief. And in a response to this newfound awareness, Joel crafted an ode to the places he remembered so vividly, but could not touch.
Director Todd Tue will be present and a Q & A will follow the screening.
3:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 67m) dir Todd Tue. When It Breaks is the inspiring story of Special Education teacher Konrad Wert (aka Possessed by Paul James) and his personal journey to avoid becoming another victim of teacher burnout. Stepping away from the classroom, Wert turns to his musical side career as a means to tour the country with his family and engage teachers, parents, and audiences in a conversation about the current state of Special Education. As opportunities arise, Konrad must decide how his service is most effective- as an advocating artist or as a teacher in the classroom.
Preceded by: Hiraeth EP Film (2018, DCP, 21m) dir Joel Porter. Joel Porter's sophomore album Hiraeth EP became a project that led him to places of homesickness tinged with grief. And in a response to this newfound awareness, Joel crafted an ode to the places he remembered so vividly, but could not touch.
Director Todd Tue will be present and a Q & A will follow the screening.
3:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 88m) dir Barbara Bentree. Dave Grusin: Not Enough Time is an award-winning, "elegant and uplifting" feature-length documentary about one of the 20th Century's most important music composers. His music is known and loved all over the world but even his most ardent fans don't completely realize what a phenomenal career he has had. Grusin has been described as "flawless" by his peers - amazing when you consider that he had five simultaneous careers; Composer, Pianist, Arranger, Performer and Record Company Executive. He led a completely bi-coastal life for decades flying weekly between LA and NY to work with an astounding list of music and film artists. Industry icons called on Dave when they needed something extraordinary; Barbra Streisand, Steven Spielberg, Quincy Jones, Norman Lear, Sydney Pollack, Warren Beatty, James Taylor, Paul Simon and more. Grusin's most enduring legacy may live on in his beloved melodies and arrangements for film. The themes for films like On Golden Pond, The Firm, The Fabulous Baker Boys, Havana, Tootsie, Heaven Can Wait, and 3 Days of the Condor are written about in textbooks and revered by new and veteran composers around the world.
Director Barbara Bentree will be present and a Q & A will follow the screening.
5:30 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 78m) dir Kenny Dalsheimer. You Gave Me A Song offers an intimate portrait of old-time music pioneer Alice Gerrard and her remarkable, unpredictable journey creating and preserving traditional music. The film follows eighty-four year old Gerrard over several years, weaving together verité footage of living room rehearsals, recording sessions, songwriting, archival work, and performances with photos and rare field recordings. Much of the film is told in Alice’s voice and via interviews with musical collaborators and family members who share the story of Alice and others chasing that high lonesome sound.
8:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => YOU GAVE ME A SONG: THE LIFE & MUSIC OF ALICE GERRARD
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[post_content] => (2019, DCP, 101m) dir Brian Welsh. In the mid-1990s, the United Kingdom was overrun by raves: illegal parties with heavy beats and an endless supply of drugs. The Criminal Justice Bill introduced by the government in 1994 criminalized ‘gathering around repetitive beats’. This led to massive protests and even more raves. Against that background, Beats showcases the unlikely friendship; between teens Spanner and Johnno in a Scottish town. The first is living with his criminal brother, the other is facing a move to a new town with his family and his potential new stepfather, who happens to be a cop. On their last night out, the two friends steal cash from Spanner's brother and journey into an underworld of anarchy, freedom and collision with the forces of law and order. This universal story of friendship, rebellion and the irresistible power of gathered youth, is set to a soundtrack as eclectic and electrifying as the scene it gave birth to.
9:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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5:30 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 67m) dir Todd Tue. When It Breaks is the inspiring story of Special Education teacher Konrad Wert (aka Possessed by Paul James) and his personal journey to avoid becoming another victim of teacher burnout. Stepping away from the classroom, Wert turns to his musical side career as a means to tour the country with his family and engage teachers, parents, and audiences in a conversation about the current state of Special Education. As opportunities arise, Konrad must decide how his service is most effective- as an advocating artist or as a teacher in the classroom.
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Director Todd Tue will be present and a Q & A will follow the screening.
3:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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Director Barbara Bentree will be present and a Q & A will follow the screening.
5:30 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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8:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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9:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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8:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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Director Todd Tue will be present and a Q & A will follow the screening.
3:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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Director Barbara Bentree will be present and a Q & A will follow the screening.
5:30 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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8:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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9:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 101m) dir Brian Welsh. In the mid-1990s, the United Kingdom was overrun by raves: illegal parties with heavy beats and an endless supply of drugs. The Criminal Justice Bill introduced by the government in 1994 criminalized ‘gathering around repetitive beats’. This led to massive protests and even more raves. Against that background, Beats showcases the unlikely friendship; between teens Spanner and Johnno in a Scottish town. The first is living with his criminal brother, the other is facing a move to a new town with his family and his potential new stepfather, who happens to be a cop. On their last night out, the two friends steal cash from Spanner's brother and journey into an underworld of anarchy, freedom and collision with the forces of law and order. This universal story of friendship, rebellion and the irresistible power of gathered youth, is set to a soundtrack as eclectic and electrifying as the scene it gave birth to.
9:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 111m) dir Victorious De Costa. Langston Hughes’ cautionary prose has been the stimulus for some of the most important artistic offerings of the 20th century. Chiefly among them, the civil rights anthem “Young, Gifted and Black”, written by prolific musician-composer-playwright Weldon Irvine. In the wake of his untimely death, a focused, contemporary reflection upon his life reveals the astounding irony that Weldon Irvine would come to be one of [the music’s] most quintessential examples of Hughes’ examination. Digging For Weldon Irvine explores the enduring legacy of a man deeply vital to the culture of black freedom expression, yet is somehow overlooked within that very lexicon.
Director Victorious De Costa will be present and a Q & A will follow the screening.
3:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 80m) dir Jeremy Dylan Potts. From the Australian outback to Music City USA, a child guitar prodigy dedicates his life to become the world’s greatest acoustic guitarist, even as revelations of dark family secrets send him into a battle with addiction that threatens to destroy his career, his family and his life. Featuring interviews with Barry Gibb, Steve Vai, John Oates, Olivia Newton-John and Joe Satriani.
Director Jeremy Dylan Potts will be present and a Q & A will follow the screening.
5:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => TOMMY EMMANUEL: THE ENDLESS ROAD
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[post_content] => (2019, DCP, 91m) dir Martha Kehoe, Joan Tosoni. Enjoy a trip down musical-memory lane. Gordon Lightfoot: If You Could Read My Mind pays homage to Canada and the talents of their most celebrated son, Gordon Lightfoot, an extraordinary singer/songwriter. The film shows fascinating original footage of Lightfoot over the years, along with many artists who have covered his songs, such as Johnny Cash, Elvis, Neil Young, Judy Collins, and Bob Dylan. Sparing nothing about Lightfoot's personal weaknesses and failures as well as his triumphs, this film covers Lightfoot's life and career in his own words, and those of his closest associates—and, of course, we hear recordings of his greatest hits.
7:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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3:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 80m) dir Jeremy Dylan Potts. From the Australian outback to Music City USA, a child guitar prodigy dedicates his life to become the world’s greatest acoustic guitarist, even as revelations of dark family secrets send him into a battle with addiction that threatens to destroy his career, his family and his life. Featuring interviews with Barry Gibb, Steve Vai, John Oates, Olivia Newton-John and Joe Satriani.
Director Jeremy Dylan Potts will be present and a Q & A will follow the screening.
5:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
[post_title] => TOMMY EMMANUEL: THE ENDLESS ROAD
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[post_content] => (2019, DCP, 91m) dir Martha Kehoe, Joan Tosoni. Enjoy a trip down musical-memory lane. Gordon Lightfoot: If You Could Read My Mind pays homage to Canada and the talents of their most celebrated son, Gordon Lightfoot, an extraordinary singer/songwriter. The film shows fascinating original footage of Lightfoot over the years, along with many artists who have covered his songs, such as Johnny Cash, Elvis, Neil Young, Judy Collins, and Bob Dylan. Sparing nothing about Lightfoot's personal weaknesses and failures as well as his triumphs, this film covers Lightfoot's life and career in his own words, and those of his closest associates—and, of course, we hear recordings of his greatest hits.
7:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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5:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 111m) dir Victorious De Costa. Langston Hughes’ cautionary prose has been the stimulus for some of the most important artistic offerings of the 20th century. Chiefly among them, the civil rights anthem “Young, Gifted and Black”, written by prolific musician-composer-playwright Weldon Irvine. In the wake of his untimely death, a focused, contemporary reflection upon his life reveals the astounding irony that Weldon Irvine would come to be one of [the music’s] most quintessential examples of Hughes’ examination. Digging For Weldon Irvine explores the enduring legacy of a man deeply vital to the culture of black freedom expression, yet is somehow overlooked within that very lexicon.
Director Victorious De Costa will be present and a Q & A will follow the screening.
3:00 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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Director Jeremy Dylan Potts will be present and a Q & A will follow the screening.
5:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 91m) dir Martha Kehoe, Joan Tosoni. Enjoy a trip down musical-memory lane. Gordon Lightfoot: If You Could Read My Mind pays homage to Canada and the talents of their most celebrated son, Gordon Lightfoot, an extraordinary singer/songwriter. The film shows fascinating original footage of Lightfoot over the years, along with many artists who have covered his songs, such as Johnny Cash, Elvis, Neil Young, Judy Collins, and Bob Dylan. Sparing nothing about Lightfoot's personal weaknesses and failures as well as his triumphs, this film covers Lightfoot's life and career in his own words, and those of his closest associates—and, of course, we hear recordings of his greatest hits.
7:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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[post_content] => (2019, DCP, 91m) dir Martha Kehoe, Joan Tosoni. Enjoy a trip down musical-memory lane. Gordon Lightfoot: If You Could Read My Mind pays homage to Canada and the talents of their most celebrated son, Gordon Lightfoot, an extraordinary singer/songwriter. The film shows fascinating original footage of Lightfoot over the years, along with many artists who have covered his songs, such as Johnny Cash, Elvis, Neil Young, Judy Collins, and Bob Dylan. Sparing nothing about Lightfoot's personal weaknesses and failures as well as his triumphs, this film covers Lightfoot's life and career in his own words, and those of his closest associates—and, of course, we hear recordings of his greatest hits.
7:45 $12 in advance / $14 at the door, no Trylon discount cards accepted.
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FRI/SAT 7:00 SUN 3:00
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FRI/SAT 9:30 SUN 5:30
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SUN 7:30 MON/TUES 7:00 9:00
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[post_content] => (1998, 35mm, 122m) dir John Frankenheimer w/Robert De Niro, Sean Bean, Jean Reno. This late Frankenheimer gem puts U.S. intelligence agent Sam (De Niro) in the crosshairs of both the Russians and the Irish as the double-crosses pile atop one another. A return to form for the director, this gritty espionage actioner boasts one of cinema’s most stunning car chases.
FRI/SAT 7:00 SUN 3:00
[post_title] => RONIN
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[post_content] => (1997, 35mm, 93m) dir Hark Tsui w/Jean-Claude Van Damme, Dennis Rodman, Mickey Rourke. Van Damme and Rodman team up in this . . . you know what? Who cares! We get to see Van Damme fight a tiger, and the absurd climax unfolds at the, um, “Colosseum.”
FRI/SAT 9:30 SUN 5:30
[post_title] => DOUBLE TEAM
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[post_content] => (1990, DCP, 102m) w/Danny Glover, Paul Butler, Mary Alice. Gideon (Butler) and Suzie (Alice) are an aging couple attempting to repair strained relationships with their adult children. Enter an old friend, Harry (Glover), who dredges up superstitions and traditions from the South. To Sleep with Anger is a generational drama that recalls the plays of August Wilson.
SUN 7:30 MON/TUES 7:00 9:00
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FRI/SAT 9:30 SUN 5:30
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