All series at the Trylon View as Calendar “BLOODY SAM” PECKINPAH A DISH BEST SERVED COLD A GENE KELLY HIT PARADE A REALITY CHECK WITH ALBERT BROOKS ALL HAIL PARKER POSEY AN EXPLOITATION EXTRAVAGANZA BROUGHT TO LIFE BY ERNEST BORGNINE CHAN AND VAN DAMME TIMES TWO (OR FOUR) CULT FILM COLLECTIVE EDWARD YANG, GIANT OF TAIWANESE CINEMA GAKURYÛ ISHII’S CYBERPUNK FRENETICISM HIDEO GOSHA HIDEO GOSHA, WANDERING RONIN INTO THE 21st-CENTURY DYSTOPIA LARRY FISHBURNE MAGGIE CHEUNG, LUMINESCENT AND DANGEROUS MARTIN ROSEN, MASTER OF CHILDHOOD TRAUMA MIKHAIL KALATOZOV: THE PEOPLE’S ARTIST MIZNA FILM SERIES ONLY SKIN DEEP OTHER PROGRAMMING PETER O’TOOLE IS IN FULL CONTROL — AND TOTALLY… PETER WEIR POLIZIOTTESCHI: ITALIAN CRIME FILMS IN THE YEARS OF… PROTOTYPES FOR THE ROM-COM RENTAL PROGRAMS SHAFT SOUND UNSEEN FILM FESTIVAL SOUND UNSEEN MONTHLY SOUTHEAST ASIAN CINEMA AND ITS DIASPORA: THEORY/… SURF’S UP TAPE FREAKS THE FIFTEENTH FILM NOIR FESTIVAL: NEO-NOIR THE HITCHCOCK FILM FESTIVAL THE INTIMATE DETACHMENT OF MAI ZETTERLING THE MINNEAPOLIS FILMS OF DAVID BURTON MORRIS AND… THE NIGHTMARISH NINETIES THE THREE COLORS TRILOGY THIS IS OUR TIME TO DANCE TRASH FILM DEBAUCHERY TWO MOVIES FEATURING SOMEWHAT UNCONVENTIONAL PIRATES TWO POEMS FOR THE WOUNDED VOLUNTEER PROGRAMMERS WAYNE WANG YVES MONTAND